Asian and Islamic Ceramics and Works of Art

A Chinese russet jade bi pendant, carved in relief with chilong, diameter 6.2cm and another russet jade pendant of cicada form, length 5.8cm.

A Chinese Canton famille rose porcelain brush pot, mid-19th century, the cylindrical body painted with a continuous figural scene beneath a gilt ground band filled with flowers and insects, height 15.6cm (some blue enamel loss).

A Chinese white/pale celadon pendant, carved and pierced with dragon head terminal, length 8cm.

A Chinese Guan-type blue crackle glazed double gourd shaped vase, mark of Qianlong but probably 20th century, the pale lavender blue glaze suffused with a network of grey and brown crackles, blue pseudo seal mark to base, height 23cm.

A Chinese Canton famille rose porcelain cylindrical box and cover, mid to late 19th century, painted with figural scenes, height 9cm (minor chip to rim of cover), together with a Canton famille rose medallion rectangular dessert dish, mid-19th century, painted with panels of figures and birds, insects and flowers, reserved against a gilt ground filled with flowers and tendrils, length 22.5cm.

A Chinese Jun type stoneware ewer, Song dynasty style but later, the pear form body with flared neck covered in a pale blue glaze with purple splash, height 17cm.

A Japanese bronze Buddha, 20th century, modelled seated in dhyanasana with typically tightly curled hair, wearing long folding robes, on a lotus moulded throne with pierced flame mandala behind, raised on a wave moulded domed octagonal base, cast seal mark to base, height 35cm.

A Chinese famille verte porcelain jar, the ovoid body painted with two carp leaping through waves beside a temple, below a dragon amidst vapours, unmarked, height 18.5cm.

A Japanese Kakiemon porcelain trefoil dish, Edo period, of petal outline, the interior painted with a dragon roundel beneath panels of blossoming branches and stems, within underglaze blue line borders, height 5.5cm (minor rim restoration).

A Chinese jadeite plaque, modern, carved in relief with chilong and fruiting vine, length 11cm, on an ebonized display stand.

A Chinese Guan-type crackle glazed bottle vase, the globular body and narrow neck with pierced handles, covered in a white glaze suffused with grey and iron oxide crackles, unmarked, height 24cm.

A. Yoshida - a Japanese watercolour painting on paper, early 20th century, depicting a view of Mount Fuji emerging through clouds, signed, 26.5cm x 47.5cm, framed and glazed.

A Chinese blue and white Cadogan teapot, 20th century, the peach form body painted with dragons, flaming pearls and clouds, height 13.6cm.

A Chinese Imari export porcelain tea caddy, Kangxi period, painted with panels of iron red and gilt peony within underglaze blue floral borders, height 10cm (rim chipped and glaze fritting), together with a Chinese blue and white porcelain vase, mark of Kangxi but late 19th century, painted with dragons amidst peony, height 13.5cm (chip to rim).

A Japanese earthenware vase, Meiji period, the ovoid body with polychrome enamelled reticulated and relief moulded band of a dragon, phoenix, kirin and Buddhistic lion amidst vapours within similarly enamelled lappet and scattered mon borders, between a pair of moulded mask and tongue handles, height 35cm.

A Chinese blue and white porcelain moonflask, mark of Kangxi but probably 20th century, each side painted with a panel of two maidens beneath a pair of chilong handles and narrow neck, underglaze blue pseudo four-character mark to base, height 29cm.

A Chinese Canton famille rose porcelain vase, mid to late 19th century, the compressed circular body and flared neck painted with opposing figural scenes reserved against a turquoise ground filled with birds, fruit and flowers, on a flared circular foot, height 34cm (crack to foot).

A Southern Chinese green glazed pottery model of a Buddhistic lion, late 19th/early 20th century, standing on all fours with open mouth, indistinct impressed seal mark to base, height 22cm.

A Chinese famille verte enamelled porcelain vase and cover, late Qing dynasty, the baluster body painted with birds perched on rocks between bamboo and peony on a green ground, height 28cm (drilled hole to base and cover, converted to a table lamp), together with brass table lamp fitting stand.