Asian and Islamic Ceramics and Works of Art

A Chinese celadon jade carving, carved and pierced with a seated boy, length 5.7cm.

A Chinese pale celadon jade carving, probably 20th century or later, carved and pierced with a boy standing beside a flower-charged vase, height 7.7cm.

A South-east Asian gilt and green patinated bronze figure of a standing Buddha, modelled with tightly curled hair rising to a domed unisa and wearing a long robe, height 12.8cm, on a wood plinth.

A Chinese green crackle glazed porcelain moonflask of flattened circular form with garlic neck flanked by loop handles, height 21.8cm.

A Chinese Ming-style yellow glazed red ground porcelain jar, mark of Jiajing but later, the stout ovoid body decorated with two dragons amidst peonies and vapours above crashing waves, underglaze blue six-character mark within double ring to base, height 12cm.

A Chinese Transitional style blue and white porcelain vase, probably 20th century or later, the baluster body painted with a figural scene, two-character mark and seal to shoulder, height 17.2cm.

A Japanese cinnabar lacquer four-case inro, Meiji period, each section carved with bands of flowerheads, length 8.2cm (faults), together with a hardwood and lacquer netsuke, length 3.7cm, a hardwood samurai helmet netsuke, length 4.1cm, a carved hardwood gourd-form netsuke, length 5cm, and a Japanese carved wood stand, length 10.2cm.

A pair of Chinese Ming style blue and white porcelain teabowls, late 19th/early 20th century, each of steep sided circular form, the exteriors painted with mythical beasts and vapours above crashing waves, underglaze blue four-character mark to bases, height 4.4cm, diameter 8.5cm.

A Chinese blue and white porcelain vase, probably 20th century or later, the lobed ovoid body painted with four dragons emerging from crashing waves, height 30cm.

A Chinese famille rose porcelain vase, Yongzheng period, of slender baluster form, painted with two pheasants perched on rocks amidst blossoming peony and prunus branches, height 20.2cm (drilled hole to base), together with a Chinese cloisonné vase, 20th century, height 18cm.

A Chinese blue and white export porcelain guglet, Qianlong period, painted with figures, pavilions and trees in a coastal landscape, height 25.5cm (minor rim chips).

A near pair of Chinese blue and white porcelain pots, Kangxi period, each of globular form, painted with figural scenes, heights 5.5cm.

A Chinese blue and white export porcelain soup tureen and cover, Qianlong period, of canted corner form with scroll finial and hare mask handles, painted with figures, trees and pavilions in a coastal landscape, length 34cm.

A pair of Chinese blue and white export porcelain meat dishes, Qianlong period, each of canted corner form, painted with sprays of flowers within trellis rim, length 37.2cm (minor faults).

A Sino-Tibetan brown patinated bronze figure of Tara, Qing dynasty, modelled seated in lalitasana, wearing a headdress and beaded jewellery, her hands held in vitarka and varada mudra, on a double lotus throne, height 29cm.

A large Japanese Arita blue and white porcelain floor vase, Meiji period, of baluster form with flared neck and frill rim, painted with an eagle flying beneath a pine tree, height 106cm (repaired neck and rim).

An Indian copper circular tray, late 19th century, embossed with scenes of Hanuman, diameter 57.5cm.

A Tibetan brass mounted teapot and cover, late 19th/early 20th century, the silvered globular body applied with embossed brass mounts, flanked by a dragon handle and spout, height 35.5cm (handle detached).

A Chinese fahua-style pottery vase, late Qing dynasty, of ovoid form, the aubergine ground slip trailed with turquoise ruyi head collar, shou medallions and stylized lotus, height 30.8cm (drilled hole to base), with a carved wood stand.