Asian and Islamic Ceramics and Works of Art

A small group of five Chinese hardwood stands, early 20th century, each of circular form with carved and pierced frieze, diameters ranging from 12.5cm to 15.5cm.

A pair of Chinese turquoise glazed porcelain figures of seated qilin, 19th century, each modelled seated on a rectangular plinth, height 19cm (minor faults).

A Turkish Ottoman Empire wrought iron folding coffee bean roaster, 18th/19th century, the folding handle with brass mounts and engraved decoration, the circular pan with further engraved detail, total length 54.8cm.

A pair of Chinese famille rose porcelain hexagonal lanterns and stands, late Qing dynasty, of swollen hexagonal form, each side painted with a circular flower roundel within pierced salmon pink panels, reserved against green and blue borders filled with lotus and scrolling tendrils, height 30.5cm (one with restoration).

A pair of Chinese export style porcelain equestrian figures, 18th century style but probably later, each modelled with rider wearing conical hat and pink jacket, his horse standing four-square on a rectangular base, height 21.5cm.

A collection of Japanese ceramics, Meiji period and later, including three Imari dishes, diameters 40.5cm, 31cm and 30cm, a Kutani wine ewer, height 26.5cm, and a Satsuma part coffee set, decorated with gilt on a black ground.

A small collection of Chinese ceramics and works of art, 18th century and later, including a famille rose export porcelain plate, Qianlong period, painted with flowers, diameter 22.4cm, a famille rose turquoise ground bowl, diameter 15.8cm, and a brass figure of Buddha, height 13.5cm.

A set of four Chinese Canton watercolour paintings on rice paper, mid to late 19th century, each depicting an ornithological study of various birds, 17cm x 25cm, framed and glazed.

A garniture of three Japanese Imari porcelain vases and two covers, early 18th century, each baluster body painted and gilt with opposing flower panels reserved against landscape grounds, heights 30cm and 19.5cm.

A Japanese blue and white porcelain vase, Meiji period, painted with fan shaped panels of birds and flowers on a cracked ice and prunus ground, height 32cm, together with a pair of Japanese Satsuma earthenware vases, 20th century, decorated in relief with immortals and attendant, height 30.5cm (minor faults).

An Indian Mughal School watercolour and gouache miniature painting, probably 19th century, depicting a princess and female attendants bathing at a lakeside, within script borders, 20cm x 11cm, framed and glazed.

A Chinese famille rose yellow ground porcelain bottle vase, mark of Kangxi but probably early 20th century, painted with dragon and fenghuang roundels, reserved against a yellow ground filled with flowers, fruit and tendrils, iron red painted four-character mark to base, height 21cm.

A Chinese jade Buddhistic lion carving, probably late Qing dynasty, modelled as a recumbent Buddhistic lion and playful cub, the stone of mottled green tone, height 7.2cm, length 15.5cm.

A pair of Chinese famille rose porcelain teabowls and covers/stands, mark of Daoguang but probably later, each painted and gilt with two figures and panels of black text, iron red enamelled seal mark to bases, diameter 10.5cm.

A Chinese famille rose porcelain diminutive ewer and cover, Yongzheng style but later, of baluster form, painted with cockerel amidst peony, height 11.7cm, together with a similarly decorated teabowl and saucer, diameter of saucer 10.7cm.

Two Chinese carved and pierced giltwood rectangular panels, late Qing dynasty, depicting birds and flowers, lengths 43.5cm, together with a carved giltwood figure of a maiden, mid to late 20th century, height 12cm, with stand and a jade teabowl, cover and stand, total height 7.5cm.

A Chinese bronze tripod censer, mark of Xuande but probably 20th century, the squat circular body with cast geometric band above engraved Buddhistic lions, cast six-character mark to base, height 12cm, width across handles 15.7cm, weight 1358g.

A Chinese underglaze copper red and white porcelain snuff bottle, mark of Qianlong but probably 20th century, of flattened circular form, each side painted with a figure in landscape, underglaze blue four-character mark to base, height 6.8cm.

A Chinese blue, green and pale blue glass overlay snuff bottle, early 20th century, the flattened oval blue glass body carved with vapours between carved green and pale blue overlay chilong, fitted with a jadeite stopper, height 5.3cm (chipped to base).