Asian and Islamic Ceramics and Works of Art

A Chinese blue and white porcelain bottle vase, Kangxi period, the ovoid body and flared narrow neck painted with three boys and a floral spray, unmarked, height 16cm.

A Chinese enamelled Yixing stoneware hexagonal vase, late Qing dynasty, the exterior decorated with polychrome chrysanthemums and rocks within trellis borders, height 28.2cm.

A Chinese blue and white bottle vase, mark of Qianlong but probably Republic period, painted with dragons amidst lotus and scrolling tendrils, underglaze blue seal mark to base, height 19cm.

A Chinese underglaze blue and famille rose enamelled porcelain teabowl, mark of Kangxi but late 19th century, decorated with sprays of flowers, bamboo and prunus, underglaze blue six-character mark to base, height 6cm.

A Chinese celadon jade water coupe, Qing dynasty, of compressed circular form, the exterior incised and gilt with a five-clawed dragon and chilong amidst clouds and vapours, height 3.1cm, diameter 5.9cm, with a wood stand.

A Chinese blue and white porcelain circular dish, Kangxi style but probably late Qing dynasty, the interior painted with three Buddhistic lion cubs playing with brocade balls, unmarked, diameter 36.1cm.

A South-east Asian carved and lacquered wood figure of Buddha, 18th/19th century, modelled seated in dhyanasana, white inscribed collection reference to back of base, height 19.7cm.

Utagawa Kuniyoshi (1797-1861) - a Japanese woodblock oban tateye print depicting the Conference of the Minamoto Clan, 35cm x 24cm, framed and glazed, together with a Yoshikazu oban diptych print depicting a naval battle scene, unframed (formerly a triptych), and a collection of other later prints.

A Chinese carved giltwood figure of a Buddhistic lion, Qing dynasty, modelled standing with a brocade ball under its front left paw, on a rectangular plinth with carved lotus borders, height 40cm (some faults).

A Chinese brown patinated bronze tripod censer, made for the Islamic market, mark of Zhengde but possibly later, of squat circular form with stepped and everted rim, the body with three ruyi shaped panels of Arabic script, raised on three lobed scroll feet, cast six-character mark of Zhengde to base, weight 3221.5g, height 11.1cm, diameter 25.5cm.

A Chinese blue and white porcelain teabowl, mark of Qianlong and probably of the period, the exterior painted with a repeated design of iron red lotus and blue scroll tendrils, underglaze blue seal mark to base, height 4.9cm, diameter 8.2cm (restoration to rim).

A Chinese blue and white porcelain jar and cover, late Qing dynasty, the stout ovoid body painted with precious vessels and flowers, height 17.6cm.

A Chinese bronze tripod censer, mark of Xuande but early 20th century, of squat circular form, cast in relief with a band of dragons, flanked by a pair of lion mask handles, raised on three short feet, cast six-character mark to base, weight 1882g, height 8.6cm, rim diameter 14cm.

A group of ten Chinese Canton export watercolours on rice paper paintings, late 19th century, each painted with a portrait, approx 21cm x 13cm, unframed (damaged), together with four painted lace place mats.

A Chinese famille verte porcelain bottle vase, Kangxi style but later Qing dynasty, the globular body and tapered narrow neck painted with flowers and leafy tendrils, height 25cm.

A Multan tin glazed earthenware circular dish, 19th century, painted with blue and white carnations on a turquoise ground, diameter 37.3cm (some glaze loss).

A pair of Japanese brown patinated bronze two-handled vases and integral stands, Meiji period, each flared neck and globular body cast in low relief with foliage and fenghuang, raised on chilong-entwined tripod legs on a galleried hexagonal base, height 41.3cm.

Sozan Ito (born 1884) - a pair of Japanese woodblock prints, early 20th century, depicting a peacock perched on a branch and a pair of macaws perched on a branch, signed to lower right corners, 37.5cm x 16cm, framed and glazed.

A pair of Japanese Imari porcelain vases, Meiji period, each globular body and flared neck painted and gilt with immortals in landscape, height 24.3cm (one rim chipped and cracked), together with a Japanese Imari vase and bowl.