British and Continental Ceramics

A Samson porcelain rectangular box with hinged lid and gilt metal mounts, late 19th/early 20th century, painted in Chinese famille rose taste with flower sprays within blue scroll edged yellow reserves, red painted mark to base, 15cm x 9cm x 5.5cm.

A Russian Gardner biscuit porcelain figure, mid to late 19th century, modelled as a dancing peasant woman on a naturalistic brown edged rectangular base, red printed and impressed factory marks, height 20.5cm.

A Russian Gardner biscuit porcelain figure, mid to late 19th century, modelled as a dancing peasant man on a naturalistic brown edged rectangular base, red printed and impressed factory marks, height 24.8cm.

A small group of miniature and diminutive creamware, mostly Wedgwood, 19th century, including a set of four boat shaped salts on diamond shaped feet, height 3cm, and a basketweave moulded oval tureen and stand, length of stand 8cm (minor faults).

A pair of Parr factory Staffordshire pottery whippets, 1860s, each seated grey animal on a naturalistic base beside a dead hare, height 29cm (minor faults).

A Falcon Ware Ghoulies & Ghosties relief moulded jug, mid-20th century, inscribed with verse opposing ghoulish figures and a figural handle, black printed factory mark, height 18.5cm.

A Wedgwood pale green jasper dip oval plaque depicting Admiral Sir John Jervis, First Earl of St Vincent, post-1798, modelled by John de Vaere, impressed and incised marks to reverse, height 11.2cm, together with a miniature Wedgwood dark blue jasper dip teapot, cover and stand, 19th century, typically sprigged in white, height of teapot 7cm. Note: the portrait plaque is one of a set of four modelled by de Vaere of great naval heroes.

Three Royal Doulton figures, comprising Punch and Judy Man, HN2765, The Clown, HN2890, and The Wizard, HN2877.

A rare T.G. Green Church Gresley oblique shape Chatsworth pattern milk jug and sugar bowl, circa 1930, decorated with Mackintosh style motifs, printed marks to bases, height of jug 6.2cm.

A Clarice Cliff Taormina pattern plate, post-1936, black printed Wilkinson mark to base, diameter 23.5cm (some restoration to rim).

A Meissen oval shaped porcelain salt, late 18th century, the basketweave moulded body painted with scattered flowers, crossed swords in underglaze blue to base, length 10.5cm, applied Newman and Newman Ltd Antiques label.

Five Wedgwood Clarice Cliff Collection Jazz Dancer figure groups, black printed factory marks to bases, height of tallest 15cm.

A group of Beswick hunt figures, comprising Huntsman, model No. 1501, Huntsman on rearing horse, model No. 868, fox, model No. 1440, and six hounds in various poses.

A set of four Derby porcelain French Season figures, late 18th century, modelled after Pierre Stephan as children emblematic of Spring, Summer, Autumn and Winter, raised on pierced scroll moulded bases picked out in turquoise enamel and gilding, height 22cm (minor faults).

A stoneware invitation to the Sotheby's Belgravia Richard Dennis Martin Brothers exhibition, circa 1978, modelled by Ian Gregory in the form of the Martin Brothers shopfront, potter's seal mark to side, inscribed to reverse, height 25cm (minor faults). Provenance: the invite inscribed to Ward & Jo Lloyd.

A Bernard Moore flambé glazed model of an owl, early 20th century, inset with glass eyes and perched on a rustic mound base, unmarked, height 12.5cm, together with a Bernard Moore turquoise glazed eagle, raised on a circular inscribed base, black printed mark, height 12.3cm (faults and restoration).

A George Jones majolica game pie tureen, cover and liner, circa 1870, of oval shape, the turquoise glazed body relief decorated with suspended nets and trophies of game, the cover with a fox crouched over a dead bird on a bed of fern leaves, indistinct black painted numerals to base, length 25cm (faults and losses).

A Royal Worcester limited edition equestrian group Prince's Grace and Foal, modelled by Doris Lindner, No. 669 of 750, with plinth and certificate.

A Royal Doulton Flambé Sung lustre circular bowl, circa 1930, by Charles Noke, painted to the interior with a peacock amidst flowers and scrolling tendrils, the exterior with a robin's egg glaze, printed and painted marks to base, numbered '128', diameter 30cm (faults and restoration).