British and Continental Ceramics

A twelve tile panel, probably Spanish, late 19th/early 20th century, painted with a coat of arms including a Maltese cross and castle tower, before a double-headed eagle holding a pink ribbon in its beaks beneath a crown surmount, framed, 60.5cm by 46.5cm.

A matched pair of Royal Doulton Slaters Patent stoneware vases, early 20th century, decorated by Ethel Beard, monogrammed, with a foliate design against a textured ground, impressed and incised marks to bases, height 30cm.

An F. & R. Pratt bear subject pot lid The Village Wakes, with T. Jackson inscription, together with three other pot lids, comprising Dutch Winter Scene, Shakspeares (sic) House and Buckingham Palace, each framed.

A Royal Albert Old Country Roses pattern part service, comprising two circular tureens and covers, nine dinner plates, eleven dessert plates, sixteen tea plates, eight two-handled soup bowls and stands, two graduated oval platters, sauce boat and stand, three sandwich plates, three cake stands with metal fixings, coffee pot and cover, two graduated size teapots and covers, twenty-five teacups and saucers, four sugar bowls, two cream jugs, two milk jugs, two cereal bowls, photograph frame, two vases, two desk bells, two small pin dishes, heart shaped box and cover, atomiser, seven other trinkets and a pair of napkin rings, together with a small group of second quality Old Country Roses, including a teapot and cover.

A collection of Border Fine Arts Reynard Estate fox figures, comprising a large standing figure of Lord Reynard, height 53cm, smaller Lord Reynard, Lady Reynard, The Duke of Reynard, Master Reynard, Young James, Viscount Albert, Viscountess Victoria, Isaac, Master Giles, Uncle Monty, Miss Reynard, Denton, Miss Caroline, Lady Camilla, Sir Rupert, Lady Jane, Tarquin and Tara, The Duchess of Reynard and Mrs B, together with a Lord Reynard mantel clock, a Lady Reynard photograph frame, a money bank and another fox figure (some faults).

A Royal Worcester limited edition model of the racehorse Arkle, modelled by Doris Lindner, No. 286 of 500, with stand and framed certificate, overall height 27cm, together with a Beswick Connoisseur Collection model Mill Reef, on a wood stand, height 26cm.

A brutalist studio pottery footed dish by Marcio Mattos, the rectangular slab top flanked by hollow handles, decorated with an arched brushstroke, raised on four tubular feet, incised and impressed marks to base, length 48cm.

A Marcello Fantoni Italian pottery lampbase, circa 1960s, with textured surface, the neck and body incised with horizontal banding, covered in a dark running glaze over a shaded blue to purple ground, painted marks to base, height to top of fitting 41cm.

An Art Deco figure of a nude, 1940s, modelled by Elly Strobach, seated on a grassy mound, incised signature to side edge of base, impressed numerals 111 10, height 23cm.

A Continental porcelain Sèvres style ormolu mounted French mantel timepiece, late 19th century, the circular dial with gilt framed black Roman hour numerals against a bleu céleste ground, surmounted by two doves and trophies of love, raised on a column stem flanked by two cherubs above a rectangular base painted with flower wreaths within bleu céleste framing, on an ormolu stand with scroll details and four paw feet, height 24cm, with a key.

A Wileman & Co. Foley Intarsio two handled vase of bulbous shape with pear shaped neck, designed by Frederick Rhead, with a band of geese between stylized foliate banding against a brown ground, black printed factory marks to base with numerals '3084', height 30cm.

A large Andrew Osborne studio pottery raku fired model of a townscape, designed as an arrangement of colourfully painted terraced houses above a curved bridge with open arches beneath, decorated to both sides, incised mark to base, height 55cm.

A large pair of Doulton Burslem pottery vases, late 19th century, decorated in blue and gilt with poppy like flowers against a cream ground, the waisted necks and circular feet cobalt blue glazed, impressed and blue printed marks to bases, height 44cm.

A Gustavsberg Veckla series Carrara glazed vase, designed by Stig Lindberg, circa 1950, shape 242, the stoneware body of free-formed shape with pinched rim, covered in a matt glaze, gilt printed marks to base, height 12.5cm.

A group of Portmeirion Botanic Garden pattern tablewares, including an oval platter, length 48cm, a graduated pair of rectangular lasagne dishes, longest 37cm, three circular serving bowls, fifteen dinner plates, four soup plates, six dessert plates, six tea plates, eight cereal bowls, coffee pot and cover, teapot and cover, butter dish and cover, toast rack, six mugs, four teacups and saucers, milk jug, cream jug, set of four measuring cups, cruets and a quantity of placemats and coasters (some faults).

A matched pair of French faience candlesticks, early 20th century, of baluster shape with scroll moulded detail painted with flowers and scrollwork, height 24cm, together with a similar two-handled vase painted with hanging baskets of flowers, height 22cm (minor faults).

A group of Jonathan Chiswell Jones studio pottery tablewares, comprising a large flared circular bowl painted with green flowers and foliage, diameter 31cm, a floral painted cake platter, diameter 29.5cm, a circular two-handled dish painted with blue iris, diameter 30cm, teapot and cover, four mugs, a tall jug painted with fish and two smaller painted with dragonflies, eight cereal bowls painted with blue flowers, a vase, height 12cm, three coasters painted with birds and a celadon glazed potpourri bowl with pierced latticework cover, together with two Jonathan Chiswell Jones studio pottery stoneware yunomi, heights 8.5cm and 9cm.

A Worcester trio, circa 1780, painted in blue and gilt with floral sprays, comprising teacup, coffee cup and saucer, blue painted open crescent mark to bases, together with a small group of blush ivory Royal Worcester, comprising three flatback jugs, a tusk jug, height 19cm, and a pair of two-handled vases, height 16cm, and a Royal Worcester two-handled vase and cover painted with pink roses, height 19cm (faults).

An Accolay French pottery vase, mid 20th century, the double necked body with vertical join, covered in a shaded turquoise glaze, incised marks to base, height 24cm.