Glassware

A matched pair of iridescent glass vases, probably Loetz PG377, in cobalt, circa 1900, each purple green surface with a fused crackled finish, unmarked, height 16.3cm. Provenance: from the collection of John and Poppy Stallebrass.

A group of John Walsh Walsh mostly straw opalescent uranium glass rustic thorn posy vases, late 19th century, of trunk form on root style feet, height of tallest 20cm, together with a small group of other opalescent glass and similar posy vases (minor faults). Provenance: from the collection of John and Poppy Stallebrass.

A mixed group of Scandinavian glass, mid-20th century and later, including a Skruf Spun range olive green tint vase, designed by Bengt Edenfalk, engraved mark to base, height 21cm (missing some applied threads), a Gullaskruf vase, designed by Arthur Percy, of slender form with an irregular shaped bowl top, height 21cm, two Holmegaard Hellas range vases, designed by Per Lutken, height 22cm, a similar Duckling vase and a purple brown tint ovoid vase by Riihimaen Lasi Oy, height 21.5cm. Provenance: from the collection of John and Poppy Stallebrass.

A Strombergshyttan glass Shark Tooth vase, designed by Gunnar Nylund, post-war, yellow ochre cased in clear, engraved mark to base, together with a Leerdam glass vase, designed by Ida Falkenberg-Liefrinck, acid etched mark to base, height 12.5cm. Provenance: from the collection of John and Poppy Stallebrass.

A mixed group of opalescent glassware, mostly straw colour, some uranium, late 19th/early 20th century, including two Powell type finger rinser bowls, a pair of John Walsh Walsh 'thorn' branch style epergne fittings, two Powell type vases with opalescent stripes, height of tallest 25cm, and a quantity of epergne fittings (minor faults). Provenance: from the collection of John and Poppy Stallebrass.

An assorted group of glass epergne fittings, mostly late 19th/early 20th century, made up of opalescent, clear, cranberry and uranium glass, including trumpets, some with engraved or threaded detail, scroll arms, baskets and posy holders, together with a small group of plated frames and two mirrored bases (minor faults). Provenance: from the collection of John and Poppy Stallebrass.

A large mixed group of Stourbridge threaded glassware finger bowl rinsers, plates and stands, mostly late 19th century, Powell type and Stevens & Williams, including a pair of bowls and stands with clear and pale blue threaded crimped rims, a pair of blue bowls and stands with green threaded rims, and a pair of purple threaded stands with opalescent edging (minor faults). Provenance: from the collection of John and Poppy Stallebrass.

A mixed group of mostly Stourbridge air trap satin glassware, late 19th century, including vases, jugs and bowls, predominantly with a quilted diamond design but also chevrons, stripes and spots, in blue, pink, yellow, green and caramel colours, height of tallest vase 27.5cm (minor faults). Provenance: from the collection of John and Poppy Stallebrass.

A Timo Sarpaneva Orkidea (Orchid) glass vase for Iittala, designed 1954, of elongated form with central aperture, engraved mark to base, height 25cm. Provenance: from the collection of John and Poppy Stallebrass.

A Loetz rosa Rusticana iridescent bulbous shaped bowl, circa 1900, with everted pinched rim, unmarked, diameter 15cm (lacking metal base), together with three similar orange colourway vases with a bark texture, height of tallest 16cm, a green iridescent glass vase, height 8.8cm, and five other pieces (minor faults). Provenance: from the collection of John and Poppy Stallebrass.

A Loetz Phaenomen Antigon pattern iridescent glass vase, early 20th century, the green body with regular horizontal rows of Crete festoons in silvery blue, unmarked, height 17.3cm. Provenance: from the collection of John and Poppy Stallebrass.

A Loetz Phaenomen PG6893 iridescent glass vase, circa 1900, of slender waisted form on a circular foot, covered in a pale Crete colourway, unmarked, height 20.5cm. Provenance: from the collection of John and Poppy Stallebrass.

A large mixed group of gold threaded over cranberry glassware, mostly by Stevens & Williams, late 19th century, including a bowl on tripod feet and a graduated pair of circular footed bowls, each with raspberry prunt pontil, diameters 21cm and 18cm, a set of six small plates with crimped rim, diameter 15.8cm, a vase, four comports and ten assorted finger bowl rinsers (minor faults). Provenance: from the collection of John and Poppy Stallebrass.

A pair of Baccarat Crystal glass Canterbury pattern decanters and stoppers, acid etched mark to bases, height 25cm, together with a Baccarat water jug, height 17cm. Provenance: from the collection of John and Poppy Stallebrass.

A Moser smoke grey glass vase, designed by Josef Hoffmann, of four section faceted form, unmarked, height 20.8cm (minor nicks), together with a similar example of faceted green tint on a faceted foot, unmarked, height 19cm. Provenance: from the collection of John and Poppy Stallebrass.

A Stevens & Williams Fibrilose glass bowl, circa 1900, the clear bulbous body with everted rim, decorated with haphazard green trails, engraved Rd No. 36652 to base, height 17.5cm, together with a similar cranberry trailed jug, height 20.5cm. Provenance: from the collection of John and Poppy Stallebrass.

A Murano Alexandrite glass model of a penguin, designed by Licio Zanetti, standing on a rocky base, engraved signature to base, height 37.5cm. Provenance: from the collection of John and Poppy Stallebrass.

Three Strömbergshyttan engraved glass vases, post war, of flattened oval shape, the first decorated with fish, height 26.5cm, the second with flowers, height 24.5cm, the third with an owl, height 25.5cm, together with three other Strömbergshyttan undecorated vases, a Strömbergshyttan ice bucket, another engraved vase, an Iittalla bowl, a Magnor bowl and two pieces by Steuben. Provenance: from the collection of John and Poppy Stallebrass.

An Art Deco Loetz vase, circa 1929, designed by Otto Prutscher, the ogee body decorated with horizontal stripes and spots in tonal iridescence against a cream ground, raised on three ball feet, unmarked, height 13.8cm. Provenance: from the collection of John and Poppy Stallebrass.