Decorative Pictures

T. Mortimer - Coastal Views at Twilight, a pair of watercolours with gouache, both signed, each 23cm x 52cm, both within gilt frames.

British School - Oval Miniature Half Length Portrait of a Gentleman, 18th century oil on copper, 9cm x 7.5cm, within a gilt composition frame.

British School - Miniature Three-quarter Length Portrait of a Child with a Spaniel, 19th century watercolour on ivory, 9cm x 7cm, within an ebonized frame, together with two further miniature portraits.

French School - Oval Miniature Female Nudes, three 19th century reverse colour prints on glass, each 5.5cm x 4cm, all within metal frames.

British School - Miniature Portrait Silhouette of King George III, 19th century reverse painting on glass, 6.5cm x 5cm, within an ebonized frame.

British School - Miniature Portrait of a Child wearing a White Gown with Blue Ribbons, 19th century watercolour on ivory, 7.5cm x 5.5cm, within a metal frame, together with two further miniatures by a different hand.

British School - Oval Miniature Portrait of a Gentleman, and Oval Miniature Portrait of a Lady, a pair of late 19th/early 20th century watercolours, each 9.5cm x 7.5cm, both within metal frames, together with two further miniature watercolours by different hands, and a group of silhouettes and photographs, all within frames.

W.J. - Miniature Portrait of a Lady wearing a Red Hat and Blue Headscarf, watercolour on ivory, signed with monogram and dated 1908, 5cm x 4cm, within a metal frame, together with two further miniature portraits by a different hand, and a silhouette.

British School - Study of a Cat, oil on canvas, indistinctly signed with monogram and dated 1822, 29cm x 24cm, within a gilt composition frame.

Duncan Fraser McLea - 'The Mouth of the Tyne', 19th century oil on board, signed recto, titled verso, 19.5cm x 17cm, within a gilt frame.

British School - Lake Scene with Boats, 19th century oil on panel, 14.5cm x 21.5cm, within a gilt composition frame.

J.E. Scott - Interior Scene with Ladies Ironing, 19th century watercolour, inscribed verso, 14cm x 18cm, within a gilt and hessian frame.

K.G., British School - Landscape with Trees, Lane and Cottage, early 20th century oil on canvas, signed with initials lower right, 13.5cm x 18cm, within a gilt frame.

British School - Three Figures on a Wooded Track, 19th century oil on panel, 17cm x 21cm, within a gilt frame, together with another 19th century oil by a different hand, Portrait of a Man.

F.S., after Henry Raeburn - Boy and Rabbit, early 20th century oil on board, indistinctly signed, 28.5cm x 18.5cm, within a gilt frame.

Donald Watson - Study of Eiders and Study of Mallard Ducks, a near pair of watercolours with gouache, both signed, dated '56 and 55' respectively, 14cm x 25cm and 16cm x 26cm, both within stained wood frames.

George Lambourn - Landscape with Cottage, 20th century oil on board, signed, 22.5cm x 37cm, within a painted wood frame.

Peter Champion - Whitley Bomber in the Night Sky, oil on canvas laid on board, signed, 24cm x 29cm, within a stained and gilt frame, together with two further oils on board by the same hand.

'Pierre Lombart' [Pierre Lombard], after Anthony van Dyck - 'Henricus Arundelliae Comes' (Portrait of Henry Earl of Arundel), 17th century etching on laid paper, 35.5cm x 26cm, together with three etchings by the same hand, and two further etchings.