Decorative Pictures

John Ormsby - Terraced Houses, watercolour, signed and dated '14, 49cm x 39.5cm, within a softwood frame.

Frank Randal - 'Ponte Pietra, Verona', watercolour, signed and inscribed recto, titled and dated 1884 verso, 37cm x 24.5cm, within an oak and gilt composition frame, together with a similar watercolour by the same hand and a further watercolour by Angelo Alessandri.

Cecil Aldin - 'The Yarn Market, Dunster', colour lithograph, signed in pencil recto, label verso, 45cm x 42cm, within an ebonized frame.

Anglo-Indian School - View of a Temple, late 19th century watercolour, indistinctly inscribed, 34cm x 24cm, within a gilt frame.

British School - Royal Naval Man-o'-war off a Coast, 19th century oil on metal, 29cm x 39cm, within a gilt composition frame.

Circle of Jean II Restout - Concert, 18th century ink and monochrome wash, 13.5cm x 18cm, within a stained wood frame.

Dennis Lascelles - Arundel Castle from the River Arun, 20th century acrylic on board, signed recto, artist's label verso, 26.5cm x 16.5cm, within a gilt frame, together with four similar works by the same hand, Views of Arundel.

After Pablo Picasso - 'Pour Roby', 20th century etching, published by The Collector's Guild, New York, 26cm x 20.5cm, within a metal frame.

British School - Man-o'-war in Coastal Waters, probably the Solent, late 19th century oil on canvas, 19cm x 24cm, within a gilt frame.

Catherine Bolt - 'Metro de la Chapelle', oil on canvas-board, signed recto, titled and dated 2004 to labels verso, 15.5cm x 14cm, within a stained wood frame.

British School - Hounds on the Scent, late 19th/early 20th century oil on canvas, 14cm x 22cm, within a gilt frame, together with a print, within a gilt composition frame.

J. Harris, after Henry Alken - 'The First Steeple-Chase on Record', four engravings with aquatint and hand-colouring, first published for The Sporting Review circa 1839, but later impressions, each 41cm x 46.5cm, all within Hogarth style frames.

After William Hamilton - Months of the Year, five oval 20th century prints with hand-colouring, each 29.5cm x 24.5cm, all within verre églomisé mounts and gilt composition frames.

A.E.M. - Highland Landscape with Loch and Boats, oil on canvas, signed with initials and dated '86, 60cm x 90cm, within a gilt composition frame.

Thurston Hopkins - La Dolce Vita, 20th century monochrome print, signed in ink, 28cm x 36.5cm, within a stained wood frame, together with another print by the same hand. Provenance: purchased by the current vendor at the Quentin Follies Art Auction at Charleston, Firle, 2011.

After William Russell Flint - Variations III, colour print, editioned 181/850 in pencil, 49.5cm x 68cm, within a gilt frame, together with another print after Flint.

After Horace Vernet - The Clichy Gate during the Defence of Paris, late 20th century oil on canvas, 90cm x 121cm, within a swept gilt resin frame.

William Henry Innes - 'Evening on the Jetty', 20th century oil on board, signed recto, titled label verso, 40cm x 50cm, within a painted and reeded frame.