Decorative Pictures

Attributed to John Robertson Reid - Venetian Canal Scene, late 19th/early 20th century watercolour, 26cm x 37cm, within a titled mount and stained wood frame, together with a watercolour by Frederick Burgess, 'San Giorgio and Santa Maria Della Salute'.

M. Lodwick - Studies of Terriers, late 19th/early 20th century oil on canvas, signed, 20cm x 30cm, within a gilt frame.

Hugh Cushing - 'Amberley', 20th century watercolour, signed and titled, 28.5cm x 35cm, within a stained wood frame, together with a watercolour by Ernest Savage, 'Bourton-on-the-Water'.

John Howard Hale - 'Light Duty (Mrs Collard Convalescing)', oil on board, signed recto, titled and inscribed label verso, 50cm x 35.5cm, within a gilt and painted frame.

British School - Study of a Male Nude Sculpture, 20th century oil on canvas, 60cm x 29cm, within a painted and gilt frame, together with a watercolour of Crowland Abbey.

William Henry Earp - Coastal Scene with Fishing Boats, 19th century watercolour, signed, 24cm x 47.5cm, within a gilt frame, together with another watercolour by the same hand and two further watercolours attributed to Edwin Earp, all within gilt frames.

John Lynch - 'Across Canale Della Misericordia to S. Maria Valverde, Venice', 20th century watercolour, signed with initials recto, titled label verso, 35cm x 50cm, within a gilt frame, together with a watercolour by John Linfield, 'The Landing Stage and Fish Market, Venice'.

Attributed to Arthur Suker - Rocky Inlet, Cornwall, late 19th/early 20th century watercolour, 55cm x 75cm, within a gilt mount and stained wood frame.

Follower of Jean-Baptiste Greuze - Half Length Portrait of a Young Woman wearing a White Bonnet with Blue Ribbon, late 18th/early 19th century oil on canvas, stencils verso, 36cm x 30cm, within a gilt composition frame.

Abraham Hulk Junior - 'Kingsbridge, Devon' and 'Near Truro, Cornwall', a pair of early 20th century watercolours, both signed, each 16.5cm x 23.5cm, both within titled mounts and gilt frames, together with another similar work by the same hand.

A. Bossi - Lake Scene with Boat, and Landscape with Figure, a pair of late 19th/early 20th century oils on board, both signed, each 14cm x 30cm, both within gilt composition frames with applied plaques.

Ernest Pile Bucknall - 'Pulborough', early 20th century watercolour, signed, 20cm x 26cm, within a titled mount and gilt frame.

E. Tank - 'Chrysanthemums', 20th century oil on board, signed recto, titled label verso, 45cm x 34.5cm, within a gilt composition frame, together with another oil on board, Still Life.

Phyllis Pearsall - 'Street Door, Venice' and 'Canal in Venice', a pair of watercolours with ink, both signed and dated '36 recto, titled gallery labels verso, each 27cm x 37.5cm, both within painted frames.

Brian Coole - Dutch Harbour Scene, 20th century oil on canvas, indistinctly signed, 34.5cm x 44.5cm, within a swept gilt composition frame.

Ray Evans - 'Harbour Front', mixed media with watercolour and oil on paper, signed and dated '69 recto, titled label verso, 22.5cm x 35cm, within a painted frame.

Wyke Bayliss - 'Queen Elizabeth's Tomb, Henry VII Chapel', 19th century watercolour with gouache, label and stencils verso, 38cm x 28cm, within a titled mount and gilt frame.

James Macintosh Macintosh - River Landscape with Figure and Distant Houses, late 19th/early 20th century watercolour, signed, 19cm x 30.5cm, within a gilt composition frame.

Isobelle Ann Dods-Withers - Moonlit Maritime Scene with Fishing Vessels, late 19th/early 20th century watercolour with gouache, signed with initials, 46cm x 29cm, within an inscribed mount and gilt frame.