Decorative Pictures

Smola, Jewish School - Half Length Portrait of a Rabbi, 20th century oil on board, indistinctly signed, 22.5cm x 16cm, within a gilt and velvet frame, together with an oil on canvas of Middle Eastern interest by a different hand.

A pair of 19th century gilt composition frames with carved and gilt mounts and oval apertures, each rebate 18cm x 14.5cm, each aperture 9cm x 6.5cm.

A carved gilt composition Florentine frame, rebate 28cm x 23cm, together with a watercolour and a print.

Tim Stevens - Illustration with a Bull ringing a Bell over a Branch, observed by Birds, 20th century watercolour and ink, 39.5cm x 53cm, together with eight watercolours including three by the same hand.

Attributed to Antonio Lupatelli - 'Jack & Jill' (Children's Comic Illustrations), four watercolours with gouache mounted on a single leaf, titled and dated 1985, overall 43.5cm x 32cm, together with five further watercolours, including illustrations for the comics 'Playhour' and 'Funtime'.

James Basire, after J.M.W. Turner - 'A View of the Chapel and Hall of Oriel College, &c', etching with engraving, published circa 1801, 36cm x 46.5cm, together with a quantity of prints, watercolours and drawings.

Norwegian School - 'Fieldet de Syv Sostre ved Alstahaug', 19th century watercolour, titled, 34cm x 44.5cm, together with a collection of watercolours and drawings by various hands.

British School - Botanical Study of a Rose, 19th century watercolour, 28cm x 23cm, together with a collection of watercolours and drawings by various hands, and a quantity of prints, engravings and etchings, including a late impression of James McNeill Whistler's, 'The Pool'.

Ryuson Chuzo Matsuyama - Landscape Studies, including Arundel and London, approximately sixty-four early/mid-20th century watercolours and drawings, some examples signed, titled and dated, leaves 24cm x 32.5cm, within a cloth bound album.

Leighton Brothers, after James Sant - 'Little Red Riding Hood', 19th century chromolithograph, 64cm x 51xm, within a stained wood frame, together with five further 19th century chromolithographs.

Sven Goran Svensson - Grotesque Portrait, 20th century oil with acrylic on canvas, signed, 69.5cm x 54cm, within a silvered frame, together with a similar work by the same hand.

Sven Goran Svensson - Female Nude with Bird and Flowers, 20th century oil with acrylic on canvas, signed, 60.5cm x 49cm, within a silvered frame, together with a similar work by the same hand.

Sven Goran Svensson - Fantasy Landscape with Fairies, Bird and Mountains, 20th century acrylic on canvas, signed, 110cm x 130cm, together with a similar work by the same hand.

Sven Goran Svensson - Mythological Figures within a Fantasy Landscape, 20th century oil and acrylic on canvas, signed, 150cm x 110.5cm, together with three similar works by the same hand.

A 19th century gilt composition frame, rebate size 40.5cm x 52.5cm, together with a large group of other frames.

Philip Naviasky - Reclining Female Nude, 20th century pastel, 23.5cm x 36.5cm, within painted and gilt frame.

Attributed to Thomas Couture - Study of a Mallard Duck in Flight, 19th century monochrome chalk, 26cm x 32.5cm, within a stained wood frame.

George Gidley Robinson - 'Wareham Bridge', oil on canvas, signed and dated 1910 recto, titled label verso, 39cm x 50cm, within a swept gilt composition frame, together with another oil by the same hand, 'A Berkshire Upland'.

Alan Stenhouse Gourley - Oast House in a Landscape, 20th century oil on board, signed, 25cm x 34cm, within a painted wood frame.