Decorative Pictures

R.W. Alston - 'Near Gillingham, Kent', watercolour, signed recto, titled label verso, 19cm x 26cm, within a limed oak frame.

Charles William Taylor - 'Shorts Farm, Findon', early/mid-20th century watercolour over pencil, artist' name and titled to label verso, 27cm x 33cm, within an oak frame.

Tom O'Donnell - Still Life of Flowers, oil on canvas, signed twice, once with monogram, 45cm x 37cm, within a painted and gilt frame.

Vinson-Cheret - Flowers in a Vase, mixed media, signed and dated 1922, 33.5cm x 25cm, within a gilt composition frame with applied inscribed plaque.

Edmund John Niemann - Landscape with Distant Castle, late 19th century oil on canvas, indistinctly signed recto, label verso, 19.5cm x 23.5cm, within a pierced gilt composition frame.

Continental School - Still Lifes with Flowers in Vases on Marble Ledges, a pair of late 20th century oils on canvas laid on board, 28cm x 38cm, both within gilt composition frames.

Marie Wunsch - 'Beppo' (Portrait of a Youth), oil on panel, signed and titled verso, 25cm x 19.5cm, within a pierced gilt frame.

Attributed to Richard Dighton - Three-quarter Length Portraits of Two Gentlemen, 19th century watercolour, label verso, 17cm x 12.5cm, within a gilt frame.

Circle of Isaac Rosenberg - Interior Scene with Figures, 20th century oil on canvas, 68cm x 57cm, within a stained wood and gilt frame.

William Ward Gill - River Landscape with Distant Castle and Two Figures, probably Tobias and the Angel, oval 19th century oil on board, signed, 28cm x 23.5cm, within a gilt composition frame with grapevine centre crestings.

Hagop Kasparian - 'The Barn nr Oldlands Mill, Keymer', oil on canvas-board, signed recto, titled and dated 1988 to exhibition label verso, 23cm x 29cm, within a stained wood and gilt frame, together with a similar oil by the same hand, 'Rye Mill', and a watercolour, 'Barges & Boats, Piddinghoe, Sussex'.

Gigot - Cardinal at his Desk, watercolour, signed, 34cm x 26cm, within an incised mottled gilt frame.

Annette Allcock - 'Still Life with Fruit', oil on board, signed with initials recto, titled Royal Academy Summer Exhibition 1996 label verso, 19cm x 23.5cm, within a painted frame.

Naomi Clements-Wright - 'Dove's Butcher', oil on board, signed with initials recto, titled Royal Academy Summer Exhibition 1998 label verso, 10.5cm x 15cm, within a black painted frame, together with three other works exhibited at the Royal Academy Summer Exhibition, by Betty Ryder, Robert Ford and W. Patricia Maclaurin.

Kathleen M. Dryburgh - 'Beynac in the Dordogne', 20th century oil on board, signed recto, titled to Chelsea Art Society label verso, 34cm x 44cm, within a painted and gilt frame, together with another work by Kathleen M. Dryburgh.

British School - Cow, Donkey and Chickens in a Barn, late 19th century oil on canvas, 20.5cm x 26cm, together with a pencil drawing with wash, Study of a Goose, and a 20th century oil on panel, Still Life.

Circle of John Taylor - Lady holding a Chamberstick and Umbrella beside a Black Cat, watercolour, label verso, 9cm x 9.5cm, within a gilt frame, together with a group of decorative pictures.

Peter de Wint - 'A Normandy Quayside', chalk and charcoal circa 1828, artist's name and titled to Agnew's label verso, 23cm x 17cm, within a gilt frame.

Continental School - Boats on the Lagoon, Venice, 20th century oil on canvas, indistinctly signed and dated '42, 58cm x 78cm, within a gilt frame.