Fine Art

Luigi Pompignoli, after Andrea del Sarto - The Medici Holy Family, 19th century oil on panel, signed label verso, 74.5cm x 62cm, within a gilt composition frame.

Ken Moroney - Interior Scene with Figures at a Dining Table, late 20th/early 21st century oil on board, signed, 28cm x 38cm, within a painted composition frame.

George Wright - Horse and Dog in a Stable Interior, 19th century oil on canvas, signed and dated '85, 29.5cm x 39.5cm, within a gilt frame.

Vernon Ward - Lakeland View, probably the Lake District, 20th century oil on canvas-board, signed, 28.5cm x 38.5cm, within a hessian and painted frame.

Franz Muller-Gossen - Moonlit Maritime Scene with Steam and Sailing Vessels, oil on canvas, signed and dated '15, within a carved gilt frame.

Charles Henry Clifford Baldwyn - Landscape with Farm Buildings and Horse and Cart, late 19th/early 20th century watercolour, signed, 29cm x 45cm, within a gilt frame. Note: Charles Baldwyn was a renowned painter of ceramics for Royal Worcester.

H. Owens - 'Brilliant' (Four-masted Windjammer Sailing Ship), oil on canvas, signed and dated 1910, 39cm x 59cm, within a painted frame. Note: built in 1901, the 'Brilliant' was the largest four-masted ship in the world at the time of launch.

Frank Henry Mason - Sailing Vessels entering a Harbour, and Sailing Vessels near a Napoleonic Sea Fort, a pair of 19th century watercolours, both signed, each 11cm x 24cm, both within swept gilt composition frames.

Norwich School - Landscape with Pond and Cattle, 19th century oil on canvas, indistinctly signed recto, stencils verso, 18cm x 23cm, within a swept gilt composition frame.

William Adolphus Knell - 'Evening' (Tall Ships, a Hulk and a Rowing Boat at the Mouth of a Harbour), 19th century oil on canvas, signed recto, titled label verso, 53cm x 104cm, within a swept gilt composition frame. Note: this is probably the work exhibited at the Royal Academy in 1845, catalogue no. 468.

A. Bossi - Lake Scene with Boat, and Landscape with Figure, a pair of late 19th/early 20th century oils on board, both signed, each 14cm x 30cm, both within gilt composition frames with applied plaques.

Thomas Currie-Bell - Portrait of a Lady wearing a Linen Headdress, oil on canvas, signed and dated 1903, 49.5cm x 40cm, within a painted carved and composition frame.

Tessa Newcomb - 'Spring Daffodils', watercolour with gouache, signed with initials and dated '89 recto, titled verso, 19.5cm x 13cm, within a stained wood frame.

Cicely Steed - The Water Babies, 20th century watercolour with gouache, signed, 19cm x 27.5cm, together with three further watercolours by the same hand. Note: Cicely Steed provided illustrations for an edition of Charles Kingsley's 'The Water Babies' published by Thomas Nelson circa 1960.

Hans Feibusch - Cartoons for the Mural at the Civic Centre in Newport, a group of six mid-20th century charcoal sketches, each 62cm x 47.5cm, together with a collection of letters, Christmas cards and other related ephemera. Provenance: James Iles, friend of Hans Feibusch and former town clerk for Newport Council. Note: the artist's decision to feature James Iles prominently in the mural riding a charger and wielding a sword caused controversy amongst other members of the council and the design was subsequently changed.

David Michael Jones - Nativity with Shepherds and Beasts Rejoicing, 20th century etching with drypoint in green/black ink on vellum, 20cm x 15cm, within a stained wood frame.

Eric Ward - Kneeling Female Nude, gouache, signed, 21cm x 15cm, within a stained wood frame.

Girolamo Gianni - Views of the Grand Harbour, Valletta, Malta, a pair of watercolours with gouache, both signed and dated 1876 recto, artist's labels verso, each 18cm x 36cm.