Fine Art

Robert Champier, circle of Pierre du Clausade - Estuary Landscape, 20th century oil on canvas, signed, 44.5cm x 54.5cm, within a swept gilt composition frame.

Charles Schneider - 'Zingari' (Caravan and Figures on a Country Road), oil on board, signed recto, titled and dated 1954 verso, 48cm x 48cm, within a painted and gilt composition frame.

Henry Smyth - Extensive Landscape View of the Vale of Llangollen, Wales, oil on canvas, signed and dated 1870, 74cm x 125.5cm, within a swept gilt composition frame.

Continental School - Portraits of Young Ladies, a pair of oils on panel, both with wax seals verso, 39cm x 24.5cm, within stained wood frames.

James Jebusa Shannon - 'Sounding the Horn', early 20th century oil on board, artist's name and title to gallery label verso, 49cm x 35cm, within a silvered frame. Provenance: the artist's family by descent and Radnorshire Fine Arts.

Mario Maresca - 'Bay of Naples', 20th century oil on canvas, signed recto, titled verso, 60cm x 91cm, within a silvered frame.

Charles J. Walker - A Picnic on Hampstead Heath, oil on canvas, signed and dated 1907, 61cm x 91.5cm, within a gilt composition frame.

Nicolai Barchenkov - 'Towards Evening' (Winter Landscape, Russia), oil on board, signed recto, titled and with Union of Artists of the U.S.S.R. Art Fund exhibition label verso, 65cm x 48cm, within a gilt and hessian frame. Note: this work was exhibited at the Soviet Paintings for Sale exhibition at the Royal Academy Diploma Galleries, London, in 1967.

Edward Wesson - Landscape with Church, Houses and Figures, 20th century watercolour, signed, 32cm x 49.5cm, within a painted frame.

Edward Wesson - View from Morston to Blakeney, Norfolk, 20th century oil on canvas, signed, 39cm x 49.5cm, within a hessian and gilt frame.

Circle of Lionel Edwards - 'Hounds in Full Cry, West Dartmoor', 20th century watercolour, indistinctly signed recto, titled verso, 28cm x 47cm, within a gilt frame.

Charles Mozley - Parisian Street Scene, 20th century oil on canvas, signed, 50cm x 75.5cm, within a gilt composition frame.

Henry Courtney Selous - Katharine and Petruchio's Wedding Supper, Taming of the Shrew, Act IV, Scene I, oil on canvas, signed and dated 1870, 101cm x 140.5cm, within a gilt composition frame. Note: this work was exhibited at the Royal Academy in 1870. Provenance: Lot 213, Sotheby's, 29th January, 2003.

Edward Charles Williams - 'Unloading a Collier, Night Scene Hastings', oil on canvas, signed and dated 1857, titled label verso, 98cm x 158cm, within a swept gilt composition frame. Note: this work was exhibited at the National Institution in 1857 and reviewed in the Art Journal the same year, 'the interest of the scene is in the description of the rising moon… with surprising reality of effect'.

Circle of Martin Archer Shee - Half Length Portrait of a Seated Lady wearing a Bonnet, Ermine Stole and Black Satin Dress, 19th century oil on canvas, 89.5cm x 69cm, within a gilt composition frame.

William R. Stone - Railway Bridge spanning the River Thames at Kew, with Buildings and Figures loading Barges, 19th century oil on canvas, signed with initials, 44cm x 79.5cm, within a gilt composition frame with applied plaque.

William R. Stone - The River Thames at Isleworth showing All Saints Church and The London Apprentice Pub, 19th century oil on canvas, signed with initials, 44cm x 79.5cm, within a gilt composition frame with applied plaque.

Thomas Brown Clark - 'The Gulf of Aden', 20th century oil on canvas, signed recto, titled exhibition label verso, 50cm x 70cm, within a gilt frame. Note: this work was exhibited in 1981 at the Royal Society of Marine Artists.

Robert G. Lloyd - The Cruise Ship RMS Andes off the Isle of Wight, oil on board, signed and dated 2004, 53cm x 69cm, within a gilt frame.