Fine Art

Andrew Robertson - Half Length Portrait of Benjamin West holding a Scroll, watercolour on ivory, stencils verso, 19cm x 14cm, within a gilt composition frame of wide section with floral strapwork and corner crestings. Note: this work was exhibited at the Royal Academy in 1803, catalogue no. 774. It was subsequently engraved in mezzotint by G. Dawe. Provenance: Benjamin West; Mr C.M.R. Cleeve by 1899.

Horace Hone - Oval Miniature Portrait of a Lady as the Penitent Magdalene, enamels on copper, signed and dated 1809 recto, inscribed verso, 4cm x 3.5cm.

William Russell Flint - 'Washerwomen by the Drôme (between Crest and Aouste)', watercolour, signed recto, titled, dated 1960 and with exhibition labels verso, 27.5cm x 38cm, within a gilt frame. Note: exhibited at the Royal Academy of Arts 'Bicentenary Exhibition' 1968 no. 695 and the Royal Academy of Arts 'Sir William Russell Flint Exhibition' 1962 no. 40. Provenance: Thompson's Gallery, Stow-on-the-Wold; Frost & Reed, London.

Frank Wootton - 'A Passing Storm, Windover Hill, Sussex', 20th century oil on canvas, signed recto, titled verso, 49cm x 74.5cm, within a gilt and hessian frame with applied plaque. Provenance: E. Stacy-Marks, 8th December, 1983.

Circle of Aelbert Cuyp - Cattle on a Riverbank, 17th century oil on canvas, 71cm x 92.5cm, within a gilt frame.

James Heron - 'Loch Ard', late 19th/early 20th century oil on canvas, signed recto, titled label verso, 50cm x 75cm, within a gilt frame.

Dutch School - River Landscapes with Figures and Buildings, a pair of 18th century oils on canvas, each 47cm x 62cm, both within gilt frames.

Fritz Osswald - 'Piz Palü von Berninapass' (Alpine Mountain Scene), oil on board, signed recto, titled, dated 1930 and artist's stamp verso, 41cm x 49.5cm, within a gilt frame.

Follower of Frederick Morgan - Children playing on a Beach, late 19th/early 20th century oil on canvas, bears signature, 27cm x 36cm, within a gilt composition frame.

Ronald Ossory Dunlop - 'On the Medway', mid-20th century oil on canvas, signed recto, titled verso, 34cm x 44cm, within a painted frame.

William Raymond Dommersen - Dutch Maritime View, oil on panel, signed and dated 1881, 27cm x 37cm, within a gilt composition frame.

David Cox Senior - 'Hay on the Wye', 19th century watercolour, signed recto, titled Fine Art Society label verso, 21cm x 34.5cm, within a gilt frame. Provenance: Fine Art Society, April 1960; Guy D. Harvey-Samuel collection.

Frank Walton - 'Fallen Firs on Holmbury Hill' and 'Spring, Coverwood', a pair of late 19th/early 20th century oils on board, both signed recto and titled verso, each 24.5cm x 34.5cm, both within gilt composition frames.

Italian Naïve School - The Pasta Eater, late 18th/early 19th century oil on canvas, 42.5cm x 36cm, within a rosewood frame.

Henry Mayo Bateman - Malta Street Scene, 20th century oil on canvas, signed with initials, 44cm x 34cm, within a gilt composition frame.

Alfred Parsons - Garden Scene with Figure and Dogs, early 20th century oil on canvas, signed recto, partial Leicester Galleries label verso, 48cm x 33cm, within a gilt composition frame.

Freda Marston - Landscape Scene with Thatched Buildings, possibly Sussex, 20th century oil on canvas-board, artist's name verso, 25.5cm x 33.5cm, within a gilt composition frame.

James Greig - West Country Harbour Scene, 20th century oil on board, signed, 34cm x 28cm, within a gilt frame.

Ernest Lessieux - 'The Coast at Cap Martin', 20th century watercolour, signed recto, titled label verso, 26.5cm x 45cm, within a gilt frame.