Fine Art

Norwich School - Landscape with Logging Team, and View of a Barge on the Broads, a pair of 19th century oil on canvas, each 53cm x 74cm, within gilt composition frames.

Ch. Brand, Provincial School - Half Length Portrait of a Lady identified as 'Marguerite-Aure Garoste du Jonga', wearing a Brown Dress, oil on canvas, signed and dated 1810 recto label verso, 62.5cm x 50.5cm, within a gilt frame.

Continental School - View along a Busy Park Avenue, oil on canvas, indistinctly signed, 66cm x 102.5cm, within a gilt composition frame.

Rowland Holyoake - Eastern Dancer, early 20th century oil on canvas, signed, 47.5cm x 37.5cm, within a gilt frame.

Wilfred F. Frost - Processional Scene on a Chinoiserie Patterned Background, mid-20th century oil and gilt on white lacquer panel, 60.5cm x 45cm, within a gilt faux bamboo frame. Note: this panel is similar to those in the Banqueting Room originally supplied by Robert Jones for the Royal Pavilion, Brighton. Wilfred Frost was employed as a painter and restorer at the Royal Pavilion in 1921 to repair the damage caused when using it as a military hospital during the First World War. These smaller reproductions were painted by Frost as a retirement project. Provenance: the artist and thence by direct descent.

Wilfred F. Frost - Mother and Child with Flowers on a Chinoiserie Patterned Background, mid-20th century oil and gilt on white lacquer panel, stamped verso, 38cm x 30cm, within a gilt faux bamboo frame. Note: this panel is similar to those in the Banqueting Room originally supplied by Robert Jones for the Royal Pavilion, Brighton. Wilfred Frost was employed as a painter and restorer at the Royal Pavilion in 1921 to repair the damage caused when using it as a military hospital during the First World War. These smaller reproductions were painted by Frost as a retirement project. Provenance: the artist and thence by direct descent.

Wilfred F. Frost - Tondo Still Life with a Flower-charged Urn in a Landscape, oil on hardboard, signed and dated 1949, diameter 59cm, within a gilt composition pierced Florentine frame. Note: Wilfred Frost was employed as a painter and restorer at the Royal Pavilion in 1921 to repair the damage caused when using it as a military hospital during the First World War. Provenance: the artist and thence by direct descent.

Attributed to Thomas Couture - Head Study of a Lady, 18th century oil on canvas, labels verso, 44cm x 36cm, within a gilt frame of wide section with applied inscribed plaque.

Alfred Montague - River Scene with Figures in Boats, oil on canvas, indistinctly signed and dated 1854, 44cm x 74cm, within a gilt composition frame with foliate scroll crestings.

Follower of Pieter Casteels III - Still Life with Parrot Tulips, Roses and Chrysanthemums, late 18th/early 19th century oil on canvas, 61.5cm x 73.5cm, within a black and gilt frame.

Follower of Philip Mercier, Continental School - Three-quarter Length Portrait of a Young Woman carrying a Tray of Tea, oil on canvas, 59.5cm x 47.5cm, within an oak frame of flat wide section.

Circle of James Maubert - Half Length Portrait of a Girl with her Pet Spaniel, 18th century oil on canvas, 68cm x 59cm, within a gilt composition frame.

Edward H. Niemann - 'Knockholt, Kent' and 'From Bells, Ouzely', a pair of oils on canvas, one signed, both titled, each 29cm x 59.5cm, within gilt composition frames with pierced foliate crestings.

Circle of Peter Lely - Oval Half Length Portrait of a Gentleman, and Oval Half Length Portrait of a Lady, a pair of 17th century oils on canvas, each 71.5cm x 57.5cm, both within gilt composition frames. Note: the sitters are believed to be from the Fosbrooke family of Shardlow and Ravenstone Hall, Leicestershire, the portraits remaining in the family by direct descent.

Follower of Guido Reni - Portrait of a Young Woman wearing a White Cloak, her Hand on her Shoulder, late 18th century oil on canvas, 59.5cm x 45cm, within a gilt composition frame bearing applied inscribed plaque. Provenance: label on the reverse states that this was owned by Emily Drummond.

Circle of Francesco Zuccarelli - Capriccio Italianate Landscape with Figures conversing on a Wayside, late 18th century oil on canvas, 71.5cm x 97cm, within a gilt composition frame with bellflower moulding.

Attributed to John Frederick Herring Junior - Two Horses in a Stable Interior beside Rabbits and Fancy Pigeon, 19th century oil on canvas, bears signature, 42cm x 52cm, within a gilt frame.

British School - Study of a Terrier beside its 'Doggie' Bowl, late 19th century oil on canvas, 19.5cm x 24.5cm, within a gilt composition frame.

Alan Stenhouse Gourley - 'The Medway, Chatham', 20th century oil on board, signed recto, titled Mall Galleries label verso, 25cm x 34cm, within a gilt frame. Note: this work was exhibited at The Federation of British Artists.