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Fine Art

Wed, 15th February 2023
Commencing at 10:00

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http://www.tooveys.com/online-catalogue/fine-art/2175/6/
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LOT 101
LOT 101
David Birch - Coastal Landscape, probably Woolacombe, North Devon, 20th century oil on canvas-board, signed, 15cm x 22cm, within a gilt frame.
Hammer Price: £160
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LOT 102
LOT 102
Myles Birket Foster - 'Changing Pasture', 19th century watercolour with gouache, signed with monogram recto, Thomas Agnew & Sons label verso, 12cm x 17cm, within a stained wood frame. Provenance: Thomas Agnew & Sons, stock no. 17874, cat no. 69.
Hammer Price: £900
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 103
LOT 103
Peter de Wint - Landscape with Trees and Cottages, 19th century watercolour, 12cm x 23.5cm, within a stained wood and gilt frame.
Unsold
LOT 104
LOT 104
Freda Marston - 'The Fountain Bergamo', 20th century watercolour, signed recto, titled label verso, 51.5cm x 73.5cm, within a gilt frame.
Hammer Price: £200
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 105
LOT 105
Beatrice Stella Pedder - 'Spring in Somerset', 20th century oil on canvas-board, signed and titled to artist's label verso, 41cm x 54cm, within a painted and gilt wood frame.
Hammer Price: £120
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 106
LOT 106
William Tatton Winter - 'Kidwelly Castle' (Wales), watercolour, signed and dated 1911 recto, titled gallery label verso, 42cm x 58.5cm, within a gilt frame.
Hammer Price: £140
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 107
LOT 107
William Tatton Winter - 'Sunbury on Thames', late 19th/early 20th century watercolour, signed recto, titled gallery label verso, 25.5cm x 35cm, within a gilt frame.
Unsold
LOT 108
LOT 108
William Tatton Winter - 'Green Pastures, Abinger Hammer, Surrey', late 19th/early 20th century watercolour, signed recto, titled label verso, 24cm x 34cm, within a gilt frame.
Hammer Price: £65
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 109
LOT 109
William Tatton Winter - 'The Village Pool, Walton on the Hill', watercolour, signed and dated 1894 recto, titled label verso, 19.5cm x 25.5cm, within a gilt frame.
Hammer Price: £34
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 110
LOT 110
William Tatton Winter - 'The Old Dee Bridge, Chester', late 19th/early 20th century watercolour, signed recto, titled label verso, 19.5cm x 25cm, within a gilt frame.
Hammer Price: £40
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 111
LOT 111
Liz Clinton - 'Ranmore Common', late 20th/early 21st century oil on canvas, signed recto, titled label verso, 50cm x 75cm, within a gilt frame.
Hammer Price: £25
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 112
LOT 112
John Stillman - 'Spring Light, Isleworth', oil on board, signed recto, titled and dated 2010 to artist's label verso, 17cm x 24cm, within a painted and gilt frame, together with two similar works by the same hand, 'Summer Afternoon, Richmond' and 'By the River, Shepperton', and a related book.
Hammer Price: £500
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Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 113
LOT 113
René Legrand - Two Children on a Promontory overlooking a Bay, 20th century oil on canvas, signed, 49.5cm x 44cm, within a hessian slip and gilt composition frame.
Hammer Price: £200
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 114
LOT 114
French School - Half Length Portrait of a Boy wearing a Beret, early 20th century oil on canvas, 44.5cm x 37cm, within a gilt composition frame.
Hammer Price: £150
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Buyer’s Premium
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LOT 115
LOT 115
John Egerton Piper - Buckden in a Storm, screenprint in colours on wove paper, signed and editioned 96/100 in pencil and with blindstamp, published 1977, sheet size 57cm x 84cm, within an aluminium frame.
Hammer Price: £630
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Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 116
LOT 116
John Egerton Piper - Chantry House, Henley, screenprint in colours on wove paper, signed and editioned 25/100 in pencil, published 1983, sheet size 56cm x 77cm, within a metal frame.
Hammer Price: £450
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 117
LOT 117
Ashton Cannell - 'Essex Estuary', 20th century watercolour, signed recto, titled and dated '83 to label verso, 32.5cm x 47cm, within a gilt frame.
Hammer Price: £90
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Buyer’s Premium
Buyer’s Premium is an additional charge on each lot sold, currently this is set at 24.5% plus VAT (29.4% including VAT) of the hammer price.
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LOT 118
LOT 118
Ashton Cannell - 'Evening Light, Bosham', 20th century watercolour, signed recto, titled and dated '82 to label verso, 27cm x 50.5cm, within a silvered frame.
Unsold
LOT 119
LOT 119
Guy de Vogué - Gestural Abstract Composition, 20th century acrylic on paper, 32cm x 40.5cm, within a hessian and painted wood frame.
Unsold
LOT 120
LOT 120
Gerald Mynott - St Luke's Parish Church, Cannock, Staffordshire, 20th century watercolour with gouache and pastel, signed, 37cm x 29cm, within a stained wood frame. Note: this work was reproduced as the cover illustration for the Radio Times, 8th-14th November 1980. A copy of the magazine accompanies this lot.
Unsold
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