Fine Art

After William Charles Ross - Half Length Miniature Portrait of Nevile Reid, 19th century watercolour on ivory, 8.5cm x 6.5cm, within a metal frame, together with two further 19th century watercolour on ivory portrait miniatures, 'Anna Maria Reid' and 'Louisa Reid'.

Alfred William Strutt - Recumbent Cow in a Meadow, 19th century oil on canvas, signed, inscribed and dated '87, 21.5cm x 29.5cm, within a swept git frame.

Tomson Laing - Seaweed Gatherers with Horse and Cart on a Beach, late 19th/early 20th century oil on canvas, signed, 45cm x 80cm, within a painted composition frame.

Attributed to Thomas Rowlandson - Gaming at Brook's Club, 19th century watercolour, 14cm x 21cm, within an ebonized and gilt frame. Note: this work sits comfortably amongst a group of Rowlandson's drawings that share the same fundamental composition with minor differences to figure groupings and objects - see 'Gaming at Brook's Cub' (London Museum collection); 'Rooks Waiting for Pigeons' Bonhams 15th April 2021, lot no. 245; 'British Club Scene' (Brown University collection).

Charles Thomas Burt - Figures on a Path in a Coastal Landscape, late 19th/early 20th century oil on canvas, signed, 38.5cm x 59cm, within a swept gilt composition frame.

Charles Thomas Burt - Farm Landscape with Horses watering. Late 19th/early 20th century oil on canvas, signed, 57cm x 86cm, within a swept gilt composition frame.

British Primitive and Naïve School - Half Length Portraits of Mrs Mary Anne and Mr Azaria Lloyd, a pair of 19th century oils on canvas, both 60.5cm x 50cm, together with an extensive archive of Lloyd family ephemera, including letters, cheques, concert tickets, birth certificates and a recipe book, most of which dates from 1800 to 1880.

Follower of Henriette Ronner Knip - 'The Christmas Spat' (Four Kittens playing), 20th century oil on board, bears signature and date recto, labels verso, 38.5cm x 49cm, within a gilt composition frame.

David Farquharson - 'Harvest', 19th century oil on board, signed and titled label and stencils verso, 10.5cm x 20.5cm, within a gilt frame. Provenance: Lot 9, David Farquharson studio sale, Christie's, 13th March 1909.

Owen Bowen - Moorland Landscape with Horse, Rider and Dog on a Road, oil on board, signed and dated 1916 recto, label verso, 28cm x 42cm, within a stained and painted wood frame.

Ernest Higgins Rigg - Moorland Landscape with Sheep, early 20th century oil on board, signed recto, label verso, 23cm x 32.5cm, within a stained wood and gilt frame.

William Frederick Longstaff - 'Near Steyning' (View of Chanctonbury Ring across Wiston Pond), oil on canvas, signed recto, titled and dated 1928 verso, 49.5cm x 59.5cm, within a swept gilt composition frame.

Margaret Sarah Carpenter née Geddes - Portrait of a Young Lady, possibly a Self Portrait, early 19th century watercolour with charcoal and coloured chalks, signed with initials, 13.5cm x 11cm, contained within an album with 39 further watercolours and drawings, the majority by Margaret and other members of the Carpenter family, including William Hookham Carpenter, Percy Carpenter, William Carpenter Junior, Henrietta Carpenter, William Collins and M.C. Geddes.

William E. Powell - Pheasants in a Landscape, 20th century watercolour with gouache, signed and dated '26, 35.5cm x 25cm, within a gilt frame.

William E. Powell - Lapwings in a Landscape, 20th century watercolour with gouache, signed and dated '27 recto, 42cm x 24.5cm, within a gilt frame.

John Atkinson - 'The Fish Quay, North Shields', early 20th century watercolour, signed and dated '07, 26.5cm x 44.5cm, within a titled mount and swept gilt composition frame.

Joseph Cunningham Harker - Neoclassical Portico, watercolour with gouache, signed, inscribed 'London Sketch Club' and dated 1909, 56.5cm x 34cm, within a stained wood frame. Note: Joseph Harker was a British scene painter and theatrical designer. Bram Stoker named one of the leading characters in the novel Dracula after him.

Pasquale D'Angelo - Fishermen on the Shore bringing in Nets in the Bay of Naples with Mount Vesuvius beyond, early 20th century oil on canvas, 48.5cm x 68cm, within a stained wood frame.