Fine Art

Geoffrey Hamilton Rhoades – Graveyard Scene with a Dummy (possibly Punch) on a Wall and a Cottage beyond, 20th century oil on canvas, signed and dated ‘47, 75cm x 100cm, within a composition frame.

John Minton, after Samuel Palmer – ‘Ruth Recovered from the Gleaning’, 20th century monochrome ink with wash and bodycolour, titled verso, 18cm x 21.5cm, within a gilt frame. Provenance: Carlos Peacock; Chelsea Rare Books, March 1998.

Paul Maitland – ‘Barges, Battersea Riverside’, late19th/early 20th century oil on board, titled label verso, 18.5cm x 11cm, within a painted and gilt wood frame. Provenance: Bonhams, British and European Art, 6th July 2022, lot no. 141; Eardley Knollys.

Claughton Pellew-Harvey – Landscape with Two Churches, watercolour with pen and ink, signed and dated 1912 recto, 34.5cm x 49.5cm, within a stained wood frame. Provenance: Toovey’s, 12th June 2013, lot no. 35. Literature: reproduced in Methuen-Campbell, J., ‘Ploughshare & Hayrick, the life and work of Claughton Pellew and Kechie Tennent’ (The Fleece Press, 2019) p.34.

Claughton Pellew-Harvey – Landscape with Windmill, watercolour with pen and ink, signed and dated 1913 recto, 28.5cm x 38.5cm, within a stained wood frame. Provenance: Toovey’s, 12th June 2013, lot no. 34. Literature: reproduced in Methuen-Campbell, J., ‘Ploughshare & Hayrick, the life and work of Claughton Pellew and Kechie Tennent’ (The Fleece Press, 2019) p.36.

James Methuen-Campbell – ‘Ploughshare & Hayrick, the life and work of Claughton Pellew and Kechie Tennent’, private press book, published by The Fleece Press, 2019, one of 375 standard copies bound in quarter cloth with printed paper sides, containing a tipped-in wood engraving.

Mary Martin – ‘St Dominic Church, Winter Evening’, 20th century oil on board, signed recto, titled verso, 39cm x 59cm, within a painted and gilt wood frame.

Rupert Norman Shephard – ‘Bird in the Vine’, oil on board, signed and dated 1969 recto, titled verso, 55cm x 39.5cm, within a painted wood frame.

Tom Coates – ‘St Enimie Gorges Du Tarn’, oil on canvas, signed with monogram recto, titled and dated 1982 to Royal Society of British Artists label verso, 34cm x 39cm, within a painted wood frame, together with another oil by the same hand, Landscape with Mill on a Riverbank.

Edward Brian Seago – Horseracing Study, 20th century ink with wash and gouache over pencil, signed, 23cm x 23cm, within a gilt frame.

Peter Markham Scott – Berwick Swans, pen and ink with gouache, signed, inscribed and dated 1972, 12cm x 19.5cm, within a gilt frame.

Edward Wesson – Village Scene with Thatched Cottage and Figures, 20th century watercolour, signed, 37cm x 32cm, within a gilt frame.

Edward Wesson – ‘Near Wylye, Wilts’, 20th century oil on board, signed recto, titled verso, 46cm x 61cm.

Edward Wesson – Chanctonbury Ring from Ashington, 20th century watercolour, signed, 21cm x 28.5cm, within a painted wood frame.

Edward Wesson – ‘Arundel Castle after the Floods’, 20th century watercolour, signed recto, titled Frost & Reed label verso, 23.5cm x 69cm, within a painted wood frame.

Edward Wesson – ‘The White Windmill at High Salvington, Sussex’, 20th century watercolour, signed recto, titled gallery label verso, 24cm x 34cm, within a painted wood frame.

Edward Wesson – ‘Birdham Pool’, 20th century watercolour, signed recto, titled label verso, 26cm x 39cm, within a painted wood frame.

Andrée Sailles – ‘Barbizon’, oil on board, artist’s name, titled and dated 1928 to label verso, 21.5cm x 24.5cm, within a painted composition frame.