Fine Art

Lilian Strang Neilson - Crescent Moon over the Watchie, Catterline, 20th century oil on board, 37.5cm x 41.5cm, within a stained wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956-60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Lilian Strang Neilson - Landscape at Sunset, 20th century oil on board, 21cm x 34.5cm, within a stained wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956-60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Lilian Strang Neilson - Moonlit Landscape, 20th century oil on board, 23cm x 25cm, within a painted wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956-60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Lilian Strang Neilson - Moon Saucer, 20th century oil on board with collage, 30cm x 45cm, within a painted wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956-60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Lilian Strang Neilson - Interior, Lamp and Book, 20th century oil on board, 34.5cm x 23cm, within a painted wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956-60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Lilian Strang Neilson - Fishermen, 20th century oil on board, 18.5cm x 55.5cm, within a painted wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956-60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Lilian Strang Neilson - Washing, 20th century oil on canvas-board, 24cm x 34.5cm, within a limed wood frame. Note: Lilian Strang Neilson was a distinguished Scottish artist known for her evocative works capturing the rural and coastal landscapes of her native Scotland. Born in Kirkcaldy in 1938, she went on to study at the Duncan of Jordanstone College of Art from 1956-60 where her tutors included Hugh Crawford and Alberto Morrocco. She attended summer school at Hospitalfield House where she met and became friends with Joan Eardley. After a travelling scholarship to France and Italy, Lilian moved to the Scottish coastal village of Catterline sharing a studio with Joan Eardley and Annette Stephen. The three artists worked closely together, capturing the unique landscape, wild seas and ever changing atmospheric conditions of Catterline. Lilian Strang Neilson died in Aberdeen in 1998, leaving behind an enduring legacy as one of Scotland's most important modern painters. Provenance: gifted by the artist to the Late Mrs Elizabeth Rose Joyce Maude Smith in 1997.

Annette Jean Stephen – Catterline, 20th century watercolour with gouache, 16.5cm x 25cm, within a hessian wood frame.

Annette Jean Stephen – Catterline Bay, 20th century watercolour with gouache, 22cm x 26.5cm, within a stained wood frame.

Annette Jean Stephen – Sunset, Catterline, 20th century watercolour with gouache, 40.5cm x 50cm, within a stained wood frame.

Annette Jean Stephen – Washing in a Breeze, Catterline, 20th century watercolour with gouache, 53.5cm x 72cm, within a painted wood frame.

Frank Danton Adams – Coastal Landscape with Boats, 20th century oil on canvas, signed, 24.5cm x 37.5cm, within a painted wood frame.

George Manchester – ‘Safe Harbour’, 20th century oil on board, signed with initials recto, titled exhibition label verso, 48cm x 59.5cm, within a painted wood frame.

George Manchester – ‘Boats, St Helier, Jersey’, 20th century oil on canvas, signed with initials and dated ’61 recto, titled Society of Marine Artists exhibition label verso, 35cm x 45cm, within a painted and hessian wood frame.

George Manchester – ‘The Constitution, Regent’s Canal’, 20th century oil on board, signed recto, titled exhibition label verso, 49.5cm x 75cm, within a gilt frame.

George Manchester – ‘Ploughing’, 20th century oil on board, signed with initials recto, titled and dated ’78 verso, 13cm x 22cm, within a stained wood and hessian frame.

George Manchester – Railway Bridge with Figures, oil on board, signed with initials and dated 1979, 27.5cm x 40.5cm, within a painted wood frame.

Adrian Heath – Female Figure Study, 20th century pencil with oil on paper, signed with initials and dated ’67, 75.5cm x 56cm, within a silvered frame.

Adrian Heath – Abstract Figure Study, 20th century pencil with charcoal, 22cm x 21cm, within a silvered frame. Provenance: gifted to the vendor direct from the artist.