Fine Art

Belgian School (late 18th/early 19th century) - Studies of marigolds, watercolour, inscribed in ink beneath image 'ouillets d’inde, ou flos africanus, differentes especes', 54cm x 44cm, within a gilt frame.

William Biscombe Gardner (British 1849-1919) - Riverside castle, possibly Chepstow, watercolour, signed lower left, 29cm x 22.5cm, within a gilt frame.

After Johan Zoffany - Portrait of Edmund Keene (1714-1781), Master of Peterhouse, Cambridge (1748-1754), Bishop of Chester (1752-1771) and Bishop of Ely (1771-1781), oil on canvas, 75cm x 61cm, within a carved frame.

Circle of Angelica Kauffmann (Swiss 1741-1807) - Floral still life studies, a pair, monochrome gouache, each 50cm x 41cm, within plain gilt composition frames (2).

H** R** (19th century) - Pigeons in a stable, oil on panel, signed with initials lower left, label verso stating 'Sotheby’s & Co The Property of the Rt Hon The Lord Hardinge of Penshurst; The Property of Lady Pooley; The Property of Robert Coombes Esq', 19cm x 16cm, within a swept gilt frame.

William E. Harris (British 1860-1930) - Figure on a riverside path by ruined barns, oil on canvas, signed lower left, 60cm x 102cm, within a swept gilt composition frame.

Continental School (19th century) - Venetian street scenes, a pair, oil on canvas, each 23cm x 19cm, within gilt composition ‘Academy’ frames (2).

Attributed to George Armfield (British 1808-1893) - Terriers ratting, oil on canvas, 35.5cm x 61.5cm, within a gilt composition frame.

Tomasso de Simone (Italian c.1805-1888) - Ship and sailing boat in choppy waters, oil on canvas, signed lower right, 32cm x 49cm, within a swept gilt frame.

Charles Rousse (fl.1871-1892) - Figures promenading near the Scarborough Spa, with the Grand Hotel visible beyond, watercolour, signed lower left, 50cm x 75cm, within a plain gilt frame.

Richard Beavis (British 1824-1896) - Cattle in snow, watercolour and gouache, signed and dated 1865-66 lower right, inscribed on label verso, 44.5cm x 75cm, within a gilt frame.

British School (19th century) - Cattle in a barn, oil on canvas, 43.5cm x 55cm, within a gilt composition frame.

James Heron (British 1873-1919) - Harvest landscape with figures resting by a corn stook, oil on canvas, indistinctly signed and dated 188? lower right, 65cm x 92cm, within a swept gilt composition frame.

Reginald Easton (British 1807-1893) - Portrait miniature of a young gentleman, watercolour on ivory, oval, 10.5cm x 8cm, within a gilt frame and mount, together with English School (c.1840) - Portrait of a lady, watercolour, 15.5cm x 12cm, within an ornate gilt frame (2). Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.

Circle of Ferdinando Roberto, Neapolitan School (19th century) - 'Napoli dal Carmine', gouache, titled beneath image, 31.5cm x 45.5cm, within an Empire style gilt composition frame.

William Collingwood Smith (British 1815-1887) - Figures on a shore, watercolour, signed lower left, 31.5cm x 62cm, within a plain gilt frame.

Léo Lelée (French 1872-1947) - Flower market, watercolour, signed lower right, 30cm x 49cm, within a gilt frame.

Circle of George Armfield (British 1808-1893) - Five terriers ratting, oil on canvas, 23cm x 28cm, within a walnut veneer frame.

Edith Hume (British 1843-1906) - Cottage interior with fisherman and his wife sorting the nets, oil on canvas, signed lower left, 35cm x 46cm, unframed.