Fine Art

Attributed to Johannes Hermanus Koekkoek (Dutch 1778-1851) - Vessels at the harbour mouth, oil on canvas, 23cm x 30.5cm, within a gilt composition frame and linen slip.

Richard Henry Nibbs (British c.1816-1893) - Vessels on an estuary at low tide, oil on canvas, signed and dated ’89 lower right, 61cm x 91.5cm, within a gilt composition frame.

British School (19th century) - Distant view of the Chain Pier, Brighton, from Brunswick Terrace, oil on canvas, 44cm x 60.5cm, within a plain gilt frame.

Neapolitan School (19th century) - 'V. di Napoli da Posillipo'; 'Napoli dal Carmine'; The Bay of Naples, three, gouache, two inscribed below image, each image 36cm x 48.5cm, all within painted frames (3).

Richard Henry Nibbs (British c.1816-1893) - Gathering seaweed: fisherfolk on a rock by the shore, oil on canvas, signed lower left, 61cm x 123cm, within a gilt composition frame.

John Syer (British 1815-1885) - ‘On the Avon near Bristol’, oil on canvas, signed lower left, 40cm x 55.5cm, within a swept gilt composition frame. Provenance: with Frost & Reed.

English School (19th century) - Young woman seated in an interior, oil on board, 30cm x 29.5cm, within a swept gilt composition frame.

Salomon Corrodi (Swiss 1810-1892) - View of the Bay of Naples, watercolour, signed and dated 1872 lower left, 37.5cm x 59.5cm, within a gilt frame.

Salomon Corrodi (Swiss 1810-1892) - View of Varenna on Lake Como, watercolour, signed and dated 1872 lower right, 37.5cm x 59.5cm, within a gilt frame.

Erwin Eichinger (Austrian 1892-1950) - ‘In the study’: a cardinal working at his desk, oil on panel, signed lower right, 35cm x 47cm, within a swept gilt composition frame.

Alfred Emile Léopold Stevens (Belgian 1823-1906) - 'Le chevalet de l’atelier', oil on panel, signed with monogram lower left, 28cm x 23cm, within a gilt composition frame of deep section and foliate design. Provenance: Jane Roberts Fine Art.

George Knight (British 19th century) - Vessels off the coast, oil on canvas, signed lower left, 26cm x 46cm, within a gilt composition frame.

Mg Tun Hla (Burmese 1874-1946) - South-east Asian scene with a young woman handing a coin to a street musician, watercolour, signed with initials lower right, 45.5cm x 30.5cm, unframed.

Mg Tun Hla (Burmese 1874-1946) - The Shwedagon Buddhist Pagoda Temple in Burma, watercolour, signed lower right, 55cm x 40cm, unframed.

Attributed to Charles Masser (British 19th/20th century) and Arthur Melville (British 1855-1904) - Rustic landscape with a logging team beside a lake beneath a rainbow, oil on canvas, bears signatures lower right, 75cm x 126.5cm, within a gilt composition frame.

Attributed to Hercules Brabazon Brabazon (French 1821-1906) - Landscape with castle on a hill, watercolour with scratching out, 15.5cm x 24cm, within a gilt frame.

William Davison (19th century) - 'Miss Redhead with her long hair', oil on board, signed, inscribed and dated 'Durham Feb 1874' verso, further inscribed on stretcher bar, 28cm x 22.5cm, within a gilt composition frame of foliate design.

After Guido Reni (Italian 1575-1642) - Diana the Huntress, oil on board, oval, 26cm x 21.5cm, within a pressed gold coloured metal frame.

Manner of Francois Boucher (French 1703-1770) - Trio of musicians in a wooded glade, oil on panel, 27cm x 32cm, within a gilt frame.