Prints, Maps and Posters

Tom Murray - 'Ready, Set, Go' (from The Beatles Summer of '68 Series), colour giclée print, signed and editioned 38/195 in pencil, 45.5cm x 63.5cm, within a white painted frame, together with a catalogue of related interest.

After Peter Blake - 'Sgt. Pepper's Lonely Hearts Club Band' (Beatles Poster), published by Apple Corps Ltd 2004, 91cm x 60cm, within an ebonized frame.

Graham Sutherland - 'The Tate Gallery 19 May - 4 July 1982' (Poster for the Exhibition), 20th century colour print, 75cm x 50.5cm, within a painted wood frame, together with a David Hockney exhibition poster.

Heidi König - 'Volubilis', colour etching with aquatint, signed, titled and editioned 132/175 in pencil, 60.5cm x 74cm, within a metal frame.

After Galle - 'Honora Patrem Tuum', 17th century monochrome engraving, 20.5cm x 24cm, within an ebonized frame.

Wilfred Crawford Appleby - 'Loading at Swifts, La Plata', 20th century etching, signed, titled and editioned 5/50 in pencil, 16.5cm x 21cm, within a stained wood frame.

William Lee Hankey - Harbour Scenes, two early 20th century etchings, both signed in pencil, 22cm x 31.5cm and 22.5cm x 28cm respectively, both within ebonized frames.

Alfred Richard Blundell - 'Temple Lock, Icklingham', early 20th century etching, signed and titled in pencil, 19cm x 26cm, within a stained wood frame, together with two further etchings by the same hand.

George Keating, after Francis Wheatley - Tenderness persuading Reluctance at the School Door, and The Family Dinner at the Cottage Door, a pair of colour stipple engravings, published by Keating circa 1798, each 29.5cm x 23.5cm, both within verre églomisé mounts and Hogarth style frames.

Bill Perring - 'Spitfire!', 20th century colour print, signed and editioned 90/850 in pencil, 46cm x 68cm, within a stained wood and partially gilt frame.

Inger Kihlman - Landscape with Buildings, etching, signed, dated '74 and editioned 9/10 in pencil, 31.5cm x 36cm, within a stained wood frame.

Beryl Cook - Four Hungry Cats, colour print, signed in pencil, Fine Art Trade Guild blindstamp, published by Alexander Gallery Publications Ltd circa 1977, 44cm x 36.5cm, within a gilt frame.

After Thomas Walter Wilson - The Lawn at Goodwood, 19th century chromolithograph, 57cm x 97.5cm, within a gilt frame.

Marius Bauer - Procession with Camels, early 20th century etching, signed and editioned 57 in pencil, 45cm x 28cm, within an ebonized frame.

Marius Bauer - Panoramic View of Jerusalem, early 20th century etching, signed and editioned 71 in pencil, 62cm x 97cm, within a stained wood frame.

David Young Cameron - Monzie, drypoint etching, circa 1932, signed in pencil, 27cm x 36cm, within an ebonized frame.

David Young Cameron - Still Waters (The River Tay), drypoint etching, circa 1906, signed in pencil, 16.5cm x 32cm, within an ebonized frame. Ref: Rinder 381.

Melchior and Gaspar Treschel, after Claudius Ptolemy - 'India Intra Gangem' (Map of India), 16th century woodcut, 32cm x 49.5cm, within an ebonized frame.

After Lionel Edwards - 'Epsom' (Horse Racing), 20th century colour print, signed in pencil, Fine Art Trade Guild blindstamp, published by Roland Ward circa 1951, 31.5cm x 42cm, within a stained wood frame.