Prints, Maps and Posters

Giovanni Battista Piranesi - 'Veduta del Castello dell'Acqua Felice', 18th century monochrome engraving, 42cm x 70cm, within an ebonized frame.

G. Braun and F. Hogenberg - 'Brightstowe' (Map of Bristol), engraving with later hand-colouring, published circa 1581, 36.5cm x 46cm, within a gilt frame.

A late 17th/early 18th century monochrome engraving with later colour, View of the Maritime Hospital, Greenwich, 23cm x 38cm, within a gilt frame.

Robert Tavener - 'Horseguards and Cadiz Cannon', linocut with screenprint, signed, titled and editioned 41/75 in pencil, 46cm x 61cm, within a metal frame.

Alfred Munnings - 'The Paddock at Epsom, Spring Meeting', 20th century colour print, signed and inscribed in pencil, 45.5cm x 55.5cm, within a stained wood frame. Note: this work is inscribed to the artist Maurice Codner, a close friend of Munnings, and the subject of two well-known oil paintings by Munnings.

Herbert Dicksee - 'Silent Sympathy', etching, published by Frost and Reed circa 1894, 66cm x 73.5cm, within a stained wood frame.

Thomas Kitchin - 'Sussex' (Map of the County), 18th century engraving on laid paper with later hand-colouring, 16cm x 24cm, within a stained wood and partially gilt frame, together with two further 18th century engraved maps.

Michael Oelman - 'The Great Flood', six colour etchings with additional title-page, all signed, titled and editioned 54/100 in pencil, each 48.5cm x 56cm, all within stained wood frames.

L.S. Lowry - Sailing Boats, 20th Century colour print, signed in pencil, Fine Art Trade Guild blindstamp, 32cm x 35.5cm, within a metal frame.

William Lionel Wyllie - 'Somerset House', monochrome etching, signed in pencil recto, labels verso, 14.5cm x 31cm, within an ebonized frame.

James Gillray - 'The Death of Admiral Lord Nelson in the moment of Victory', etching, published by H. Humphrey circa 1805, 38.5cm x 28.5cm, within a stained wood frame.

Brown, after Augustin Brunias - 'The Linen Market at St. Domingo', and 'The Fruit Market at St. Vincent' (Dominican Republic Views), a pair of stipple engravings with later hand-colouring, published by John P. Thompson circa 1804, each 41cm x 49cm, both within stained wood and partially gilt frames.

Marc Chagall - 'Hagar in the Desert', lithograph, circa 1960, Goldmark Gallery labels verso, 34.5cm x 25.5cm, within a gilt frame.

Edward Bell, after William Beechey - 'Horatio, Lord Viscount Nelson Duke of Bronte, K.B.', mezzotint, published by J. Freeman circa 1806, 70cm x 45.5cm, within an ebonized and partially gilt frame.

William Ward, after George Morland - The Country Stable, mezzotint with near period colour, published by Tomkins circa 1792, 40cm x 56.5cm, within a gilt frame, together with another mezzotint after Morland.

André Bicât - Gothic Building within a Landscape, 20th century colour etching, signed and editioned 22/100 in pencil, 38cm x48cm, within a stained wood frame.

A 17th century engraving on laid paper with later hand-colouring, 'Carte de la Riviere de Saverne Autrement Manche ou Canal de Bristoll' (Chart of the Bristol Channel), 46.5cm x 58.5cm, within a gilt frame.

J. Rapkin and H. Winkles - 'Edinburgh' (Map of the City), 19th century engraving with later hand-colouring, 36cm x 51cm, within a stained wood frame.

Frank Brangwyn - 'The Rialto' (Venice), etching on laid paper, circa 1906, signed in pencil recto, titled label verso, 40.5cm x 34cm, within an ebonized frame. References: Gaunt 72.