Prints, Maps and Posters

Homanianos Heredes - 'Tabula Americae Specialis Geographica Regni Peru, Brasiliae Terrae Firmae et Reg. Amazonum; Secundum relations de Herrera' (Map of Peru), 18th century engraving with later colour, 47.5cm x 55cm, within a stained wood frame, together with an 18th century engraving by Knapton, 'A Plan of the East End of the Island of Quibo' (Island of Coiba), and two further 19th century maps of Central America and South America.

After Richard Wheatland - 'Duel at Pontlieue, Le Mans 1930' (Bentley and Mercedes-Benz Motor Race), colour print, published by the Wingfield Sporting Gallery circa 1990, signed in pencil by the artist and by the racing driver Walter Hassan, editioned 24/500, 36cm x 47cm, within a gilt frame.

Richard William Seale - 'A Pocket Map of London, Westminster and Southwark', 18th century engraving, published by H. Overton and J. Hoole, 27cm x 52cm, within a gilt frame, together with three 18th century engravings, London Bridges.

Louis Brion de la Tour (cartographer) - 'L'Ecosse' (Map of Scotland), engraving with later hand-colouring on laid paper, published by Desnos circa 1766, 29cm x 48cm, within a stained wood frame, together with a stipple engraving by Francesco Bartolozzi.

William Bradley - 'Plan of Boston' (Map of Boston, U.S.A.), 19th century lithograph, 33.5cm x 52cm, within a stained wood frame, together with a 19th century lithographic map of New York.

After Myles Birket Foster - Girl picking Sunflowers, chromolithograph, 24.5cm x 20cm, within a gilt frame, together with four similar prints.

Rowland Langmaid - 'H.M.S. Victory under Plain Sail', early 20th century etching, signed in pencil recto, titled label verso, 27.5cm x 20cm, within an ebonized frame, together with two prints after Cecil Aldin.

Eugène Grasset - 'Jeanne d'Arc' (Sarah Bernhardt in the Role), colour lithograph, published for Maîtres de l'Affiche circa 1899, 34cm x 22cm, within an ebonized frame.

Simon Drew - 'Puffin', and 'Nuffin', a pair of 20th century prints, both signed in pencil, each 19cm x 13.5cm, framed as one within a stained wood frame, together with two further prints by the same hand.

William Wynne Ryland, after Angelica Kauffman - 'A Lady in a Turkish Dress', and 'Her Grace the Duchess of Richmond', a pair of 18th century stipple engravings in sepia ink, each 30cm x 24.5cm, both within gilt frames.

Jurgen Görg - 'Muse', colour lithograph, signed, titled, dated '89 and editioned 78/225 in pencil, 70cm x 52.5cm, within a painted wood frame, together with two further prints by the same hand.

Eric Gill - 'Eliz. G.', wood-engraving, circa 1924, label verso, 20.5cm x 15.5cm, within a stained wood frame.

Eric Ravilious - 'Clerical Outfitters', colour lithograph, titled label verso, published by The Curwen Press circa 1938, 16cm x 14cm, within a painted wood frame.

Charles Napier Hemy - Sailing Vessels off Portsmouth, photogravure with hand-colouring, signed in pencil, published by Franz Hanfstaengl, 64cm x 84.5cm, within a stained wood frame.

Jules de Bruycker - 'Place du Vieux Bourg à Bruges', 20th century etching, signed and titled in pencil, 82cm x 64.5cm, within a stained wood frame.

John Baptiste Jackson, after Titian - The Descent of the Holy Spirit, 18th century woodcut, 55.5cm x 37.5cm, within a burr walnut and parcel gilt frame, together with three further similar works by the same hand.

After Marino Marini - La Cavalier, offset lithograph on wove paper, published by Les Editions Braun et Cie circa 1955 with stamp verso, 60cm x 49cm, within a white painted frame.

Elizabeth Gulland, after Henry Raeburn - Mrs Stewart of Thysgill, colour mezzotint, signed in pencil, published by Dickins circa 1915, 56cm x 35.5cm, within a gilt composition frame, together with four further mezzotints by the same hand.

After Francis Wheatley - Cries of London, fifteen colour stipple engravings by Edward Jackson Stodart and other hands, all signed in pencil, published circa 1926, each 37cm x 28cm, all within Hogarth style frames.