Prints, Maps and Posters

Joan Miró - 'Cartones' (Poster for the Exhibition at Galerie Maeght), colour lithograph, published by Maeght Editeur Imprimeur circa 1965, 65.5cm x 49cm.

Karel Appel - 'Galerie Ariel' (Poster for the Exhibition), colour lithograph, published by Arte circa 1971, 76cm x 55.5cm.

Pablo Picasso - 'Arles Musée Réattu' (Poster for the Exhibition), colour lithograph, published by Mourlot circa 1971, 66cm x 49.5cm.

A Second World War period colour printed propaganda poster, 'This Is The Year' (Beach Landing Scene), published by the Ministry of Aircraft Production, printed for H.M.S.O. by Field, Sons & Co Ltd, Bradford, 73cm x 98cm.

Ateliers Lalande - 'Les Requins Volent Bas' (Hammerhead Movie Poster), offset lithograph, published circa 1968, 78.5cm x 58cm, together with six further vintage movie posters.

Charles Mottram, after J.W. Hill - 'Boston', 19th century engraving with hand-colouring, published by Smith Brothers & Co, circa 1857, 72.5cm x 105cm, together with a 20th century hand-coloured restrike engraving of the same image.

Graeme W. Baxter - 'Ryder Cup 97', 20th century colour print, signed by the artist and by the golfer Seve Ballesteros and editioned 775/850 in pencil, 51cm x 56.5cm, within a gilt frame.

Graeme W. Baxter - 'Ryder Cup 99', 20th century colour print, signed by the artist and by the golfer Mark James and editioned 772/850 in pencil, 55cm x 62.5cm, within a gilt frame.

Graeme W. Baxter - 'Ryder Cup 95', 20th century colour print, signed by the artist and by the golfer Bernard Gallacher and editioned 41/250 in pencil, 52cm x 54cm, within a gilt frame.

Graeme W. Baxter - 'Turnberry' (Golf Course), 20th century colour print, signed and editioned 182/850 in pencil, 49cm x 57cm, within a gilt frame, together with six further prints after Baxter of golfing interest.

Graeme W. Baxter - 'Loch Lomond World Invitational' (Golf Course), 20th century colour print, signed in pencil, 37.5cm x 48.5cm, within a gilt frame, together with six further prints after Baxter, including one signed by golfer Sam Torrance.

J. Walker, after William Bradley - 'Plan of Port Hunter' (Papua New Guinea), engraving, published by A. Dalrymple, circa 1794, 32cm x 25cm, within a gilt frame, together with three hydrographic charts of India.

British School - Geometric Abstract, mixed media screen print, 63cm x 45cm, within a stained wood frame.

William Ward, after George Morland - Interior of a Country Alehouse, mezzotint with near period hand-colouring, published by William Ward circa 1797, 39.5cm x 52cm, within a verre églomisé mount and Hogarth style frame, together with another mezzotint after Morland.

Eric James Mellon - 'Sarah with Lovers', 20th century monochrome etching, signed, titled and editioned 'A.P.' in pencil, 28cm x 22.5cm, within a stained wood frame, together with three further signed etchings by the same hand.

Catherine Grubb - 'Leda', colour etching, signed, titled, editioned 12/30 and dated 1973 in pencil, 48cm x 62cm, within a silvered frame.

John Laporte, after Thomas Gainsborough - Landscape with Trees, soft ground etching, published circa 1803, 28.5cm x 40cm, within an ebonized frame.

Sebastian Münster - 'Lutezia citta de Parigini celebratissima per tutto' (Map of Paris), 16th century engraving with later hand-colouring, 29cm x 39cm, within a gilt frame.

Fred Taylor - Holyrood Palace (Printer's Proof Poster), 20th century lithograph, 83.5cm x 126cm.