Prints, Maps and Posters

Philip Dunn - 'Empty Spaces' (Deck Chairs by the West Pier, Brighton), 20th century colour print, signed in pencil, 39cm x 56cm, within a metal frame, together with six further prints by the same hand, all framed.

Cecil Aldin - 'Becher's Brook', 'The First Open Ditch', 'Valentine's' and 'The Canal Turn' (Grand National Scenes), four colour prints, all signed and editioned 212 in pencil, published by Richard Wyman circa 1920, each 20cm x 32.5cm, all within stained wood frames. Provenance: from the estate of the late John Young (1927-2017).

Hugh Casson - 'Castle Drogo', 20th century colour print, signed in ink and editioned 45/200 in pencil, 23.5cm x 17cm, within a silvered wood frame.

David Shepherd - Lion Cameo, 20th century colour print, signed and editioned 492/1000 in pencil, 18.5cm x 17cm, within a gilt frame, together with five further prints by the same hand.

Nicola Slattery - 'Kimono', 21st century etching with aquatint, signed, titled, dated '14 and editioned 2/10 in pencil, 31.5cm x 22.5cm, within an ebonized and silvered frame.

Erté - 'Le Choix du Matin, le Choix du Soir', 20th century serigraph, signed and editioned 31/60 in pencil, 51.5cm x 94.5cm, within a metal frame.

Warwick Reynolds - 'The Stranger', early 20th century etching, signed in pencil recto, titled verso, 20cm x 26.5cm, within an ebonized frame.

Robert Goff - Destruction of the Old Chain Pier, Brighton, monochrome etching, circa 1896, 18.5cm x 30.5cm, within a stained wood frame, together with another etching by the same hand.

George Huardel Bly - 'The Manor, Bexhill', 'The High Street, Bexhill', and 'The Parish Church, Bexhill', three early 20th century etchings, all signed and titled in pencil, each 8.5cm x 13.5cm, all within ebonized wood frames.

Valerie Thornton - 'Romanesque Church, Segovia', 20th century etching with aquatint, signed, titled, dated '79 and editioned 70/150 in pencil, 75cm x 49.5cm, within a metal frame.

William Lionel Wyllie - 'Hot Walls, Portsmouth', monochrome etching, signed in pencil recto, titled gallery label verso, published by W.R. Howell circa 1911, 28cm x 57cm, within a stained wood frame.

Colin Murray, after John MacWhirter - The Vanguard, monochrome etching, signed by both the artist and etcher in pencil, published by Robert Dunthorne circa 1887, 44.5cm x 62cm, within an oak frame.

James Abbott McNeill Whistler - The Winged Hat, monochrome lithograph, probably from the edition of 1000 published in 'The Whirlwind' circa 1890, 22.5cm x 16cm, within a gilt frame.

Diana Thorne - 'The Problem Play', 20th century monochrome etching, signed and titled in pencil, 20cm x 23cm, within an ebonized frame.

Lucky Madlo Sibiya - War and Peace, 20th century colour woodcut, signed, dated '75 and editioned 207/225 in pencil, 72cm x 50.5cm, within a silvered wood frame.

Kathleen Caddick - 'Field Gate' and 'Hillside Track', a pair of 20th century aquatints and hand-colouring, signed, titled and editioned 193/250 and 224/250 in pencil, each 30cm x 27.5cm, both within gilt frames.

Reginald Lander - 'The Vyne', 20th century colour lithograph, signed and editioned 73/250 in pencil, 32.5cm x 39cm, within an ebonized wood frame.

Pablo Picasso - Jeu de la Cape (plate III from 'Los Toros avec Picasso'), monochrome lithograph, published by André Sauret circa 1961, 22.5cm x 27cm, within an ebonized wood frame.