Prints, Maps and Posters

Sydney R. Jones - Façade of the Lloyd's Building, London, 20th century monochrome etching signed in pencil, 35.5cm x 23cm, within a stained wood frame.

Samuel and Nathaniel Buck - 'The South East Prospect of St. Michael's Mount in Cornwall' and 'The South West Prospect of S. Michael's Mount in Cornwall', a pair of etchings with engraving and later hand-colouring on laid paper, published by S. & N. Buck circa 1739, each 34cm x 84.5cm, both within gilt frames.

Samuel William Reynolds, after John Prescott Knight - 'The Army and Navy' (Portrait of the Duke of Wellington and Admiral Nelson), 19th century etching with mezzotint and later hand-colouring, published by Ackermann circa 1839, 75.5cm x 54cm, within a gilt frame.

Robert Morden - 'The County Palatine of Lancaster' (Map), 18th century engraving on laid paper with later hand-colouring, 41.5cm x 35.5cm, within a Hogarth style frame.

Klaus G. Müller-Bochum - Memento Mori, 20th century mixed-media etching, signed, dated '85 and editioned 1/30 in pencil, 22cm x 16.5cm, within a stained wood frame.

Peggy Hinaekian - 'Le Temps d'aimer' and 'Plaisirs d'amour', a pair of 20th century etchings with aquatint, both signed, titled and editioned 42/150 in pencil, each 57.5cm x 39.5cm, both within metal frames.

Francesco Piranesi, after Ludovico Corazzari - 'Apollo coll' arco in mano…', 18th century monochrome etching with engraving on laid paper, published circa 1781, 53.5cm x 36.5cm, within an ebonized and gilt frame.

Follower of Louis Icart - Femme en Déshabillé, oval 20th century hand-coloured etching, indistinctly signed in pencil, 34cm x 17.5cm, within a painted wood frame.

Jocelyn Galsworthy - 'St. Lawrence Ground, Canterbury', colour print, signed by the artist and Kent County Cricket Club players and editioned 44/150 in pencil, circa 1997, 42.5cm x 52.5cm, within a gilt frame.

Richard Gilson Reeve, after John Frederick Herring - 'Priam, the Winner of the Derby Stakes at Epsom, 1830', and 'St. Patrick, the Winner of the Great St. Leger, at Doncaster, 1820', a near pair of etchings with aquatint and hand-colouring, published by S. & J. Fuller, circa 1830, each 37cm x 45cm, both within Hogarth style frames.

Robert Mitchell Meadows, after Peter Paul Rubens - The Battle of the Greeks and the Amazons, stipple engraving, published circa 1780-1810, 45.5cm x 61cm, within a gilt frame, together with an 18th century etching, 'Endymion'.

Letitia Byrne - 'View of the Suspension Bridge across the Thames, at Hammersmith', engraving with later hand-colouring, published by M. Taylor circa 1829, 36cm x 76.5cm, within a stained wood frame, together with another similar engraving, 'The New London Bridge'.

William Ward and Robert Dunkarton, after William Redmore Bigg - 'The Soldier's Widow' and 'The Sailor's Orphans', a pair of coloured mezzotints with additional hand-colouring, published by William Redmore Bigg circa 1800, each 48cm x 60.5cm, both within gilt composition frames.

Charles Hunt - 'The Meet', 'Breaking Cover', 'Full Cry', and 'The Death', four aquatints with later hand-colouring, published by W. Soffe circa 1838, each 40cm x 49.4cm, all within ebonized wood frames.

John Speed - 'Buckingham, both Shyre, and Shire towne described' (Map of the County), engraving, circa 1627, with later hand-colouring, 39cm x 51.5cm, within a Hogarth style frame.

Jan Janssonius, after Ortelius - 'Siciliae Veteris Typus' (Map of Sicily), engraving with later colour, 42.5cm x 53cm, within a Hogarth style frame.

John Speed - Map of Jersey, Farne, Guernsey and Holy Island, engraving, circa 1610, 42.5cm x 64cm, within an ebonized frame, together with an engraving by Robert Morden, 'The Smaller Islands in the British Ocean'.

Anthony Dyson - 'Rebirth - S.S. Great Britain', 20th century etching with aquatint, signed, titled and editioned i/iv in pencil, 28.5cm x 37cm, within an ebonized and gilt frame, together with five further etchings by the same hand and a related book.

David Hockney - 'Mulholland Drive: The Road to the Studio' (Poster for the Exhibition at Los Angeles County Museum of Art), collotype, published circa 1980, 42cm x 96cm, within a metal frame.