Prints, Maps and Posters

Francesco Bartolozzi, after Carlo Cignani - Fauns Piping, 18th century etching on laid paper, circa 1765, 21.5cm x 27cm, within a gilt composition frame, together with ten further etchings and engravings by Bartolozzi and other hands.

Pietro Annigoni - 'Stefania', 20th century lithograph, signed and inscribed 'P.A' in pencil recto, titled label verso, sheet size 86cm x 64cm, within a silvered wood frame.

John Speed - 'The Invasions of England and Ireland' (Map), 17th century engraving with near period colour, 37cm x 49cm, within a Hogarth style frame.

Abraham Ortelius - 'Angliae, Scotia, et Hiberniae, sive Britannicar: Insularum Descriptio' (Map of the British Isles), 17th century engraving with later colour, 35cm x 50cm, within a Hogarth style frame.

William Hole - Hertfordshire, from Drayton's 'Poly-Olbion', engraving, circa 1622, with later colour, 25cm x 33cm, within a gilt frame, together with a map by Blaeu, 'Huntingdonensis Comitatus, Huntingdonshire'.

Abraham Ortelius - 'Britannicarum Insularum Vetus Descriptio' (Map of the British Isles), engraving on two sheets with later hand-colouring, each sheet size 38cm x 50.5cm, both within Hogarth style frames.

J. Blaeu - 'Suthsexia, vernacule Sussex' (Map of the County), engraving circa 1645, with later hand-colouring, 41.5cm x 55cm, within a Hogarth style frame.

William Renison - Coastal Landscape with Steamship, early 20th century monochrome etching, signed in pencil, 14cm x 22cm, within an ebonized frame.

Brown, after Augustin Brunias - 'The Linen Market at St. Domingo' and 'The Fruit Market at St. Vincent' (Dominican Republic Views), a pair of stipple engravings with later hand-colouring, published by John P. Thompson circa 1804, each 41cm x 49cm, both within stained wood and partially gilt frames.

Rex Whistler - Lady Caroline Paget, later Lady Duff, 20th century colour print, signed in pencil, published by W.J. Stacey, 49.5cm x 37cm, within a stained wood frame.

William Hogarth and Charles Grignion - 'Mr. Garrick in the Character of Richard the 3rd' (David Garrick), monochrome etching with engraving, published circa 1746, probably a 19th century impression, 45cm x 61cm, within a Hogarth style frame, together with two further engravings after William Hogarth.

Elyse Ashe Lord - 'Instruction', early 20th century hand-coloured etching on Japan paper, signed and editioned 33/100 in pencil recto, titled label verso, 31cm x 37cm, within a gilt frame, together with another etching by the same hand.

Elyse Ashe Lord - 'K'o Ssu', early 20th century hand-coloured etching, signed, titled and editioned 15/75 in pencil, 36.5cm x 30cm, within a gilt frame.

Francesco Bartolozzi, after Marcantonio Franceschini - Bacchanal Children at Play in a Landscape, a pair of 18th century etchings on laid paper, published circa 1765, each 30cm x 43cm, both within Hogarth style frames, together with two further etchings by the same hand.

Boris O'Klein - 'Sus aux Curieux', 20th century hand-coloured etching, signed and titled in pencil, 18cm x 44cm, within a gilt frame, together with four similar etchings by the same hand.

Robert Tayor - 'Duel of Eagles', 20th century colour print, signed by pilots Douglas Bader and Adolf Galland in ink, 39cm x 51cm, within a stained wood frame.

Bill Perring - 'Spitfire', 20th century colour print, signed by the artist and Flight Lieutenant Jim Payne and editioned 298/850 in pencil, 33.5cm x 56.5cm, within a stained wood frame.

Charles Rosenberg, after W.J. Huggins - 'Trial of the R.Y.S. Brig Water Witch, on the 6th Sept., 1832, off the Scilly Islands with H.M. Ships Vernon, Castor & Snake', aquatint with hand-colouring, 28.5cm x 38.5cm, within a bird's eye maple and gilt frame.

R.K. Thomas, after William Simpson - 'The Cavalry Affair of the Heights of Bulganak... the First Gun', lithograph, published by Colnaghi circa 1855, 13.5cm x 20cm, within a Hogarth style frame, together with three further prints of Crimean War interest.