Prints, Maps and Posters

John Raphael Smith, after John Northcote - 'A Visit to the Grandmother' and 'A Visit to the Grandfather', a pair of hand-coloured mezzotint engravings on laid paper, published by John Raphael Smith circa 1785, each 56.5cm x 41cm, both within Hogarth style frames.

British School - 'Orchid' and 'Water Lily', a pair of 20th century hand-coloured etchings, both indistinctly signed, titled and editioned 49/200 and 122/200 in pencil, each 60cm x 42cm, both within mirrored frames.

Gerald Coulson - 'The First Blow' (Bristol Blenheim Aircraft), 20th century colour print, signed by the artist and Flight Lieutenant George Booth in pencil and editioned 822/1089, 49.5cm x 61cm, within a gilt frame.

Samuel Okey, after Joshua Reynolds - Miss Nelly O'Brien, mezzotint, inscribed 'proof' in pencil, published circa 1764-1775, label for F.B. Daniell & Son and stencils verso, 34cm x 25cm, within a Hogarth style frame, together with one further 18th century mezzotint, Wales.

Thomas Landseer, after Charles Philip Trench - 'Tiger Hunting', four 19th century etchings with engraving, published by Hodgson & Graves circa 1836, each 35cm x 47.5cm, all within stained wood frames.

Circle of Christian Meichelt - Lake Panorama, probably Switzerland, early 19th century etching with aquatint and hand-colouring, 23cm x 91cm, within a Hogarth style frame.

Bernard Cheese - 'Brighton Pier', 20th century lithograph, signed, titled, dated '53, and editioned 2/20 in pencil, 54cm x 34.5cm, within a stained wood frame.

After Charles and Maurice Detmold - Baloo, and Mowgli, two early 20th century colour lithographs, 24cm x 34cm and 33cm x 23.5cm respectively, both within oak frames.

Albert Krueger, after Luca Signorelli - Portrait of an Unknown Man, late 19th century colour wood engraving, 36cm x 22cm, within a stained wood frame of wide section, together with three further engravings by the same hand, all framed.

Henry Bunbury - 'The Propogation of a Lie', 19th century etching with later hand-colouring, 24cm x 34cm, within a gilt frame.

Thurston Hopkins - La Dolce Vita, 20th century monochrome print, signed in ink, 28cm x 36.5cm, within a stained wood frame, together with another print by the same hand. Provenance: purchased by the current vendor at the Quentin Follies Art Auction at Charleston, Firle, 2011.

Edward William Cooke - 'H.M.S. Prince', 19th century monochrome etching with chine-collé, published circa 1828, 23cm x 17.5cm, within a gilt frame, together with five further etchings by the same hand, all framed.

Francesco Bartolozzi, after Guercino - St. Peter and St. Paul, 18th century etching on laid paper, published by John Boydell circa 1790, 33cm x 25.5cm, within a gilt composition frame, together with two further etchings by the same hand.

Pieter de Jode II, after Anthony van Dyck - 'Iacobvs Iordaens' (Jacob Jordaens), 17th century monochrome etching on laid paper probably from the fourth state, sheet size 24.5cm x 18cm, within an ebonized ripple moulded frame, together with two 18th century etchings.

Robert Morden - 'The Smaller Islands in the British Ocean' (Map), 18th century engraving with later hand-colouring, 37.5cm x 44cm, within a Hogarth style frame.

J. Pass - 'Ship Building', hand-coloured engraving, published circa 1827, 26.5cm x 20.5cm, within a gilt frame, together with ten further engravings and prints, all framed.

Walter Sickert - 'A Wicked Piece', etching with engraving on laid paper, signed in pencil recto, gallery label verso, second state of three, circa 1922, 18.5cm x 12cm, within a stained wood frame. Note: purchased by the current vendor from Michael Parkin Fine Art, January 1982.

Augustus John - Dorelia, 20th century etching in sepia ink, 22cm x 17.5cm, within a stained wood frame.

Bill Jacklin - 'Seven of Diamonds', 20th century monochrome etching, signed, titled and editioned 48//50 in pencil, within a stained wood frame.