Prints, Maps and Posters

Frank Brangwyn - 'Notre Dame, Poitiers', 20th century monochrome etching on laid paper, signed in pencil, sheet size 54cm x 41.5cm.

Richard Ranft - 'Promenade Matinale', early 20th century etching with aquatint, signed and editioned 11/50 in pencil, 65cm x 37.5cm, together with a colour etching by Alfred Muller and four further prints. Provenance: from the estate of the late Peter Farmer (1941-2017).

'Sebastiano Fulcaro' [Sébastien Fulcarus], after Michelangelo - The Last Judgement, 16th century etching on laid paper, fourth state of four, 21cm x 16cm.

Simon van de Passe (printmaker) - 'Hon., Francisc Bacon, Baro de Verulam' (Portrait of Francis Bacon), 17th century etching with engraving on laid paper, 18cm x 11cm.

Jacques Callot - 'Pulliciniello Sig. Lucretia' and 'Cap. Spessa Monti - BaGattino', two 17th century etchings on laid paper, each 7cm x 9.5cm. Note: from the series of twenty-four etchings titled 'Balli di Sfessania', published circa 1621-1622.

Wenceslaus Hollar, after Hans Holbein - 'D. Henrico van der Borcht iuniori, Artis Pictoriae', etching with drypoint, possibly an 18th century impression, 14cm x 9.5cm, together with four further engravings.

Monogrammist RDS, after Albrecht Dürer - Harrowing of Hell, or, Christ in Limbo, engraving on laid paper, circa 1580, 11.5cm x 7.5cm, together with four further etchings by various hands, including Jan Luyken and Marcus de Bye.

Ackerman & Co (publisher) - 'Destruction of the Victoria & Albert Balloon. Arlington Street, Piccadilly, 16th June 1851', 19th century hand-coloured lithograph, 19cm x 29cm.

Stanley Roy Badmin - 'Ide Hill', 20th century monochrome etching, signed and titled in pencil, 13cm x 22.5cm, within a silvered frame.

Stanley Roy Badmin - Potato Clamps, 20th century monochrome etching, signed in pencil, 11.5cm x 19.5cm, within a silvered frame.

Stanley Roy Badmin - 'Potato Clamps', 20th century hand-coloured etching, signed, titled and editioned 3/6 in pencil, 11.5cm x 19cm, within a silvered frame.

Stanley Roy Badmin - 'Oxfordshire Cottage', 20th century hand-coloured etching, signed, titled and editioned 1/10 in pencil, 12cm x 17cm, within a silvered frame.

Stanley Roy Badmin - 'Mells, Somerset', 20th century monochrome etching, signed and titled in pencil, 16cm x 20cm, within a silvered frame.

Willem Jacobsz. Delff, after Anthony van Dyck - 'Michael Mirevelt' (Michiel Jansz. Mierevelt), 18th century etching on laid paper, sixth state, 29cm x 21.5cm.

'Pierre Lombart' [Pierre Lombard], after Anthony van Dyck - 'Henricus Arundelliae Comes' (Portrait of Henry Earl of Arundel), 17th century etching on laid paper, conceived circa 1660-1663, 35.5cm x 26cm, together with three further etchings by the same hand.

Jean Lepautre - 'Venus descend du Ciel en terre...' (Landscape with Venus and Adonis), 17th century etching on laid paper, published by Jean Leblond I circa 1633-1682, sheet size 23cm x 33cm, together with one other by the same hand and seven further old master etchings by Franz Edmund Weirotter, François Vivarès, Pierre Laurent, and Jacques Saly.

Richard Earlom, after Claude Lorrain - Coast Scene with Apollo and the Cumaean Sibyl, sepia etching with mezzotint on laid paper, published by John Boydell circa 1776, sheet size 30cm x 40cm, together with three further etchings by the same hand.

J. McGahey, after George Catlin - 'Mah-To-Toh-Pa - The Mandan Chief' (Native American), lithograph, published by Day & Haghe circa 1844, sheet size 51.5cm x 39cm.

Eric Gill - 'Ruth Lowinsky', woodcut circa 1924, from an edition of 480 published by Douglas Cleverdon, 1929, sheet size 32cm x 25cm, together with one further woodcut by the same hand, Madonna and Child. Provenance: from the estate of the late Peter Farmer (1941-2017).