Prints, Maps and Posters

A late 19th century colour lithograph published by G.W. Bacon & Co, 'Bird's-Eye View of the Battle of Tel-el-Kebir, September 13th 1882', 53cm x 71cm, together with another similar lithograph.

Edward Gilbert Hester, after John Sturgess - 'The Liverpool Grand National Steeplechase', 19th century hand-coloured etching with aquatint, 60cm x 86cm, within a gilt frame.

Hunt and Reave, after Joseph Moore - 'The Harbour of Port Cornwallis, Island of Great Andaman, with the Fleet getting under Weigh for Rangoon' and 'The Attack of the Stockades at Pagoda Point, on the Rangoon River, by Sir Archd. Campbell, K.C.B. 8th July, 1824' (First Anglo-Burmese War), a pair of etchings with aquatint, published by Kingsbury & Co and Thomas Clay circa 1826, each 30cm x 38cm, both within Hogarth style frames.

After Edwin Landseer - The Dogs of St. Bernard, a George Baxter colour print, 43.5cm x 60cm, within a gilt composition frame.

John Speed - 'Worcestershire Described' (Map of the County), 17th century engraving with later hand-colouring, published by Sudbury and Humble, 39cm x 51cm, within a gilt frame, together with another 17th century engraved map by Speed, 'Wilshire' (Map of Wiltshire).

Peter Simon, after Henry Fuseli - 'Midsummer Nights Dream, Act IV, Scene I', stipple engraving, published by Boydell circa 1796, 48cm x 61.5cm, within a gilt composition frame.

George and Charles Hunt, after Samuel John Egbert Jones - 'Gamekeepers Returning' and 'The Sportsman's Visit', a pair of 19th century hand-coloured etchings with aquatint, each 41cm x 47.5cm, both within ebonized and partially gilt frames.

Charles D'Oyly - Portuguese Church, Dharmatala Street, Calcutta, (Kolkata, India), lithograph with near period hand-colouring, published in 'Views of Calcutta and its environs' circa 1848, 26.5cm x 41cm, within a gilt frame.

William Blaeu - 'Westmoria Comitatus; Anglice Westmorland' (Map of the County), engraving with later hand-colouring, 42cm x 53.5cm, within a Hogarth style frame, together with two further engraved maps of Westmorland.

Catherine Grubb - 'Leda', colour etching, signed, titled, editioned 12/30 and dated 1973 in pencil, 48cm x 62cm, within a silvered frame.

Francesco Bartolozzi, after Angelica Kauffman - 'Paris and Oenone', stipple engraving, published by I. Walker, 1781, 26cm x 21cm, within a stained wood frame, together with two similar stipple engravings.

W.L. Walton, after Charles Tattershall Dodd - 'The Cricket Match, Tonbridge School', 20th century impression of the 19th century lithograph, 54.5cm x 83.5cm, within a gilt frame.

James Basire - 'The Embarkation of King Henry VIII at Dover May XXXIst MDXX. Preparatory to his Interview with the French King Francis I', 19th century engraving first published 1781, 72cm x 128cm, within a painted wood frame.

Johann Baptist Homann - 'Regni Norvegiae Accurata Tabula in qua Praefecturae quinque Generales Aggerhusiensis, Bergensis Nidrosiensis, Wardhusiensis et Bahusiensis' (Map of Norway), 18th century engraving with later hand-colouring, 62cm x 53cm, within a gilt frame.

Leon Danchin - English Setters within a Landscape, 20th century mixed media etching, signed and numbered 214 in pencil, 40.5cm x 66.5cm, within a gilt frame.

Charles Frederick Tunnicliffe - Ducks on a Pond, colour print, signed and editioned 355/500 in pencil, published by Tryon Gallery Ltd circa 1976, 43.5cm x 53cm, within a stained wood and partially gilt frame.

Erich Strenger - 'Firle Tanaro Vonteriett', screenprint, signed and dated 1975 in pencil, 71cm x 64.5cm, within a metal frame.

Johannes Blaeu - 'Glocestria Ducatus; Vulgo Glocestershire' (Map of the County of Gloucestershire), 17th century engraving with later hand-colouring, 42.5cm x 51cm, within a gilt frame, together with a 17th century engraving by Richard Blome, 'A Mapp of Glocestershire'.

Continental School - 'Vezelay, vers la Basilique', woodcut in colours, titled and indistinctly signed in pencil, 31.5cm x 25cm, within an inlaid wood frame.