Prints, Maps and Posters

James Gillray - 'Monstrous Craws, at a New Coalition Feast', etching, published by Henry G. Bohn for 'The Works of James Gillray from the Original Plates', circa 1847-51, 45cm x 63cm, together with a large quantity of Gillray etchings, all from the same publication.

William Henry Toms, after Egbert van Heemskerck - 'Behold a Quack Physicians Hall ...', 18th century etching with engraving on laid paper, 44.5cm x 31cm, together with a quantity of 18th and 19th century engravings.

After Charles Loraine Smith - 'A Leicestershire Burst', and 'The Rendezvous of the Quorn Hounds at Grooby Pool', a pair of hand-coloured engravings with aquatint, each 30cm x 37.5cm, both within ebonized frames, together with a 19th century etching with aquatint after John Frederick Herring, 'The Start', a 20th century lithograph after Cecil Aldin, 'The Cottesbrook Hunt (The Meet at the Swan)', and two further 19th century engravings, Hunting Scenes.

A group of six 19th century hand-coloured engravings, Cries of London, each 13.5cm x 10.5cm, all within gilt composition frames.

Nicolas Sanson - 'Isles Britanniques' (Map of the United Kingdom), early 18th century engraving hand-coloured in outline, 31cm x 21.5cm, within a Hogarth style frame, together with twelve further 18th and 19th century engraved maps.

John Baptiste Jackson, after Titian - 'The Descent of the Holy Spirit', 18th century woodcut, 55.5cm x 37.5cm, within a burr walnut and parcel gilt frame, together with three further similar works by the same hand.

James Gillray - 'Hounds Finding', 'Hounds in Full-cry', 'Coming in at the Death', and 'Hounds Throwing Off', a set of four etchings with hand colour, published by H. Humphrey circa 1800, each 24.5cm x 37cm, all within gilt frames.

J. & C. Walker - 'Turkey II. Containing the Northern Part of Greece' (Map of Turkey), engraving hand-coloured in outline, published by Baldwin & Cradock circa 1829, 25cm x 35.5cm, within a gilt frame, together with two further 19th century engraved maps.

Joan Blaeu - 'Norvegia Regnum, Vulgo Nor-ryke' (Map of Norway), 17th century engraving with later hand-colouring, 50cm x 58cm, within a gilt frame.

Thomas Sutherland, after William Heath - 'The Sortie from Bayonne', etching with aquatint and hand colour, published by I.W. Laird, circa 1836, 40cm x 57cm, within a Hogarth style frame, together with another 19th century engraving, 'Royal Horse Artillery, 1843'.

Benjamin Donne - 'Donne's Map, of the Country Twenty-one Miles Round the City of Bristol', engraving, published by Donne circa 1801, 38cm x 37cm, within a stained wood frame, together with an engraved map by John Ogilby, 'The Road from London to Carlisle'.

John Simon - 'His Royal Highness William Augustus Duke of Cumberland', 18th century reverse colour print on glass, 35.5cm x 25.5cm, within a stained wood frame.

Robert Morden - 'Essex' (Map of the County), engraving with later hand-colouring, 34cm x 41cm, within a stained wood frame, together with two further engraved maps of Essex.

David Shepherd - 'After the Rain', 20th century colour print, signed and editioned 322/850 in pencil, 29cm x 43.5cm, within a gilt frame, together with another print by Shepherd and a colour print by Anthony Gibbs, 'White Tigers, Ever Watchful'.

Henry Overton - 'Northumberland' (Map of the County), 18th century engraving with later hand-colouring, 39cm x 50.5cm, within an ebonized and partially gilt frame, together with an 18th century engraving by Robert Morden, 'The County Palatine of Chester', and one further 19th century engraved map, 'Stockport'.

British School - Figures in a Gymnasium, 20th century lithograph, indistinctly signed in pencil, 28cm x 39cm, within a silvered frame.

James Gillray - 'The National Assembly Petrifed', 19th century hand-coloured engraving, 18cm x 23cm, within a Hogarth style frame, together with two restrike etchings after James Gillray.

Richard Earlom, after Thomas Gainsborough - 'A Shepherd', mezzotint with engraving, published by John Boydell circa 1781, 41cm x 29cm, within a stained wood frame.

George Cruikshank - 'A R_Y_L Visit to a Foreign Capital or, The Ambassador not at Home...!', 19th century etching with later hand-colouring, 27.5cm x 40.5cm, within a gilt frame, together with an etching by Thomas Colley, 'The French Spy', and four further 19th century engravings after James Gillray.