Prints, Maps and Posters

Herbert Dicksee - Peace (Lions on a Riverbank), etching on vellum, signed in pencil, published by Frost & Reed circa 1906, 35.5cm x 56.5cm, within a gilt composition frame.

Jack Spurling - 'Sophocles' and 'Piako' (Maritime Scenes), a pair of colour prints, both signed and dated 1926 in pencil, each 56cm x 69cm, both within Hogarth style frames.

Wilfred Crawford Appleby - 'Loading at Swifts, La Plata', 20th century etching, signed, titled and editioned 5/50 in pencil, 16.5cm x 21cm, within a stained wood frame.

Leonard Brewer - 'The Manchester Royal Exchange', early 20th century etching, signed and titled in pencil, 38.5cm x 31.5cm, within a stained wood frame.

Ivan Boden - Female Nude wearing Stockings, monochrome print, signed and editioned 63/950 in ink, 39.5cm x 11.5cm, within an ebonized frame, together with two similar prints by Boden.

Charles Edwin Flower - 'Brixham Harbour', monochrome woodcut, signed and titled in pencil recto, exhibition label verso, 17cm x 20cm, within an ebonized wood frame.

Johnstone Baird - 'Westminster', early 20th century etching, signed in pencil recto, titled to label verso, 31cm x 42cm, within an ebonized and partially gilt frame.

Francis Dodd - A Connoisseur examining a Picture, etching, signed in pencil, 29cm x 27.5cm, together with another etching by Francis Dodd.

Thomas Sutherland, after Henry Alken - 'Epsom Races', hand-coloured etching with aquatint, published by S. & J. Fuller circa 1819, 47.5cm x 74cm, within a Hogarth style frame.

Laurie & Whittle (publisher) - 'The London Directory or a New & Improved Plan of London, Westminster & Southwark, with the adjacent Country, the New Buildings, the New Roads and late alterations by Opening of New Streets & Widening of Others &c.', engraved folding map in 12 sections, hand-coloured in outline, published circa 1800, 42cm x 51.5cm, within an ebonized frame.

Joan Blaeu - 'Episcopatus Stavangriae pars Australis' (Map of South Norway), 17th century engraving with later hand-colouring, 41cm x 52.5cm, within a gilt frame.

Allan Jennings - Landscape with Fields and Road, linocut in colours, signed and dated 1960 in pencil, 40cm x 57cm, within a stained wood frame.

John Speed - 'Wight Island' (Map of the Isle of Wight), 17th century engraving with later colour, published by Sudbury and Humbel circa 1627, 40cm x 52cm, within a Hogarth style frame.

Henry Brocas, after Samuel Frederick Brocas - 'View of the Four Courts on the River Liffey, Dublin' and 'View from Carlisle Bridge', a pair of 19th century engravings with later colour, each 22.5cm x 38cm, both within gilt frames.

Godfrey, after Edward Duncan - 'Arundel', hand-coloured engraving, 23.5cm x 42.5cm, within a gilt frame.

Bryn Parry - 'The Reluctant Participant' and 'The Faithful Retriever', a pair of 20th century prints, both signed and numbered 413 in pencil, each 38cm x 49cm, both within faux maple frames.

Alistair Grant - 'Hammersmith Bridge', lithograph in colours, signed and titled in ink, 52cm x 37.5cm, within a painted wood frame.

Roland Laforcade - 'La Roue', embossed etching in colours, signed, titled, dated '70 and editioned 8/50 in pencil, sheet size 43cm x 52.5cm, within a stained wood frame.

Robert Morden - 'Surrey' (Map of the County), 18th century engraving with later hand-colouring, 36cm x 41.5cm, within an ebonized wood frame.