Prints, Maps and Posters

British School - 'The Battle of the Alma', 19th century lithograph with near period hand-colouring, 36.5cm x 50.5cm, within a bird's eye maple frame, together with a 19th century chromolithograph, 'Little Red Riding Hood'.

Charles Hunt, after John Sturges - 'Impending Danger' and 'A Match', a pair of hand-coloured etchings with aquatint, each 48cm x 40cm, both within gilt frames.

Elyse Ashe Lord - 'Chinese', colour etching, signed, titled and editioned 16/75 in pencil, 33cm x 37.5cm, within a stained wood frame.

Jodocus Hondius - 'Surrey Described and Divided into Hundreds' (Map of the County), engraving with later hand-colouring, published circa 1610, 40cm x 52.5cm, within a Hogarth style frame, together with two further engraved maps.

James Ward, after John Singleton Copley - The Victory of Lord Duncan, mezzotint, published by Copley circa 1800, 57cm x 77cm, within an ebonized and partially gilt frame.

Francis Chesham, after Nicholas Pocock - The Battle of the Saints, West Indies 1782, etching with engraving and later hand-colouring, published by John Walker circa 1784, 48cm x 60cm, within an ebonized and partially gilt frame.

J. Bluck, after Pugin - 'High Street, Looking West' (View of Oxford), etching with aquatint, published by Ackermann circa 1814, 25cm x 30cm, within a gilt frame, together with a hand-coloured engraving by Joseph Skelton, 'South Front of the Sheldonian Theatre'.

George Cruikshank - 'Farmer George's Daughter Polly, longing for a Slice of Single Gloucester!', hand-coloured etching, published by Thomas Tegg circa 1816, 26cm x 36cm, within a gilt composition frame.

James Bretherton, after Henry Bunbury - 'Moses', etching with later hand-colouring, published circa 1783, 28cm x 38cm, within an ebonized frame, together with three other satirical engravings.

John Pine, after Hubert Gravelot - The Spanish and English Fleets off the Coast of Devonshire, 18th century engraving with later hand-colouring, 38.5cm x 62cm, within a Hogarth style frame.

Carel Allard - 'Novissima Regni Scotiae Septentrionalis et Meridionalis Tabula' (Map of Scotland), 18th century engraving with later hand-colouring, 51cm x 60cm, within a stained wood frame, together with two further engraved maps, Scottish Counties.

William Hogarth - 'The Times', etching with engraving, 26cm x 32cm, within a Hogarth style frame, together with five further engravings by the same hand.

Michael Drayton - 'The Parte of Shropshyre One the West of Severne' (Map of Shropshire), 17th century engraving with later hand-colouring, 37cm x 44.5cm, within a Hogarth style frame, together with five further engraved maps.

Francesco Bartolozzi, after Giovanni Battista Cipriani - 'Pomona', hand-coloured stipple engraving, published by Jane White circa 1787, 24.5cm x 22cm, within a gilt frame, together with two further stipple engravings by Bartolozzi.

Sidney Nolan - Burke and Wills series, a set of five lithographs in colours, all signed and editioned 34/60 in pencil, each 72cm x 81cm, all within stained pine frames.

Anton Watzl - Table with Pipe and Cigarettes, 20th century colour lithograph on Arches, signed and inscribed in pencil, 75cm x 55cm, within a metal frame.

Susan Jameson - 'Lakeland Lightning', 20th century colour mezzotint, signed, titled, dated '83, and editioned 59/125 in pencil, sheet size 73cm x 55.5cm, within a painted metal frame.

Alan Davie - 'Alan Davie Drawings' (University of Brighton Exhibition), 20th century screenprint, signed, dated '97 and editioned 56/100 in pencil, 56cm x 76cm, within a stained wood frame.

Sydney d'Horne Shepherd - 'Concert', colour lithograph, signed and titled in pencil, 30.5cm x 40.5cm, within a painted wood frame, together with another signed lithograph by the same hand.