Prints, Maps and Posters

Dale Devereux Barker - 'Small Guignol XXXI', 20th century screenprint, signed, titled and dated '96, 37cm x 28.5cm, within a stained wood frame.

Claude Rowbotham - 'Pool of London', 20th century colour etching, signed and titled in pencil, 15cm x 22.5cm, within a stained wood frame, together with a 20th century colour etching by Edgar L. Pattison, 'Near Rye'.

Eric James Mellon - 'Sarah Resting', 20th century monochrome etching, signed, titled and editioned 'A.P.' in pencil, 17.5cm x 22cm, within an ebonized frame, together with two further etchings by the same hand.

Sal Meijer (Meyer) - Rabbi reading at a Table, 20th century etching, signed and indistinctly titled in pencil, 34.5cm x 26.5cm, within a silvered frame, together with a lithograph of Jewish interest, indistinctly signed.

Enea Vico, after Baccio Bandinelli - 'The Academy of Baccio Bandinelli', 16th century engraving, second state of two, published by Pietro Paolo Palumbo, 25cm x 47cm, within a stained wood frame.

Francesco Bartolozzi, after John Chapman - 'Perspective View of the Inside of the Royal Exchange, London', 18th century etching with engraving, 47cm x 58.5cm, within a Hogarth style frame, together with two further engravings by different hands.

Raphael Morghen, after Raphael - The Madonna della Seggiola, 18th century engraving, 31cm x 31cm, within a gilt composition frame with applied grape and vine moulding.

William Henry Brooke - 'The Anti-Royal Menagerie' and 'A Congress for Peace', two etchings with later colour, published for the Satirist, 1812 and 1813 respectively, each 19cm x 37cm, framed as one within a Hogarth style frame.

After Thomas Walter Wilson - The Lawn at Goodwood, 19th century chromolithograph, 57cm x 97.5cm, within a gilt frame.

John Speed - 'Shropshyre Described ...' (Map of the County of Shropshire), 17th century engraving with later hand-colouring, 42cm x 54cm, within a stained wood frame, together with an 18th century engraving by Robert Morden, 'The County Palatine of Lancaster', and one further 19th century engraved map, 'Cheshire'.

William Lionel Wyllie - Battleships and Other Vessels, etching, signed in pencil, 10.5cm x 34.5cm, within an ebonized frame, together with similar etching by the same hand.

Fred Arthur Farrell - Construction of a Bridge on the Thames, early 20th century etching, signed in pencil, 21cm x 37cm, within a stained wood frame, together with another etching by the same hand.

Pieter van der Aa - 'Syracusae Hodiernae Urbs Siciliae' (Map of Syracuse, Sicily), early 18th century engraving with later hand-colouring, 51.5cm x 49.5cm, within a bird's eye maple frame, together with an 18th century engraving by Nicolas de Fer, 'Les Merveilles de Pozzoli ou Pouzzol ... Dans le Voisinage de Naples'.

Norman Wilkinson - Spanish Galleons, 20th century colour print, signed in pencil, 37.5cm x 38cm, within a stained wood frame.

Will Henderson, after Sir John Watson Gordon - John Taylor, Captain of the Honourable Company of Edinburgh Golfers, early 20th century mezzotint, signed in pencil, 54cm x 34.5cm, within a Hogarth style frame, together with a 20th century mezzotint by Lawrence Josset, 'The Last Green'.

Richard William Seale - 'A Map of the Kingdoms of Spain and Portugal from the Latest & Best Observations', 18th century engraving with later hand-colouring, 37.5cm x 46.5cm, within a gilt frame.

Thomas Shotter Boys - 'Entry to the Strand from Charing Cross', 19th century lithograph, 29.5cm x 46.5cm, within a gilt frame, together with a hand-coloured engraving by R.G. Reeve, 'Greenwich Hospital'.

John Grant, after T.H. Jones - 'Royal Horse Artillery, 1843', 19th century engraving with aquatint, 28cm x 41cm, within a partially gilt frame, together with a 19th century chromolithograph after Harry Payne.

Bernard Dunstan - 'Musicians in the R.A. Courtyard', colour lithograph, signed and editioned 86/200 in pencil, 45cm x 39cm, within a gilt frame.