Prints, Maps and Posters

Jack Spurling - 'The Cutty Sark', colour print, signed and dated 1924 in pencil, published by The Blue Peter Publishing Company, 44.5cm x 57cm, within a painted wood frame.

Bengt Böckman - Jockey riding a Champagne Cork, colour lithograph, signed and editioned 116/199 in pencil, sheet size 62cm x 45.5cm, within a gilt frame.

William Ward, after George Morland - The Farmer's Stable, mezzotint with near period colour, published by John Raphael Smith circa 1795, 45cm x 56cm, within a gilt composition frame.

Jules de Bruycker - 'Place du Vieux Bourg à Bruges', 20th century etching, signed and titled in pencil, 82cm x 64.5cm, within a stained wood frame.

J. Harris and C. Quintrey - 'Wild Dayrell' (Study of the Racehorse), hand-coloured etching with aquatint, published by Baily Brothers circa 1855, 59cm x 73.5cm, within a maple frame, together with a similar engraving.

After Diane Arbus - 'Revelations', 20th century exhibition poster, published by the Metropolitan Museum of Art, circa 2005, 85cm x 65cm, within a silvered frame.

William Blaeu - 'Somersettensis Comitatus. Somersetshire' (Map of the County of Somerset), 17th century engraving with later hand-colouring, 39cm x 51cm, within a gilt frame, together with two further engraved maps of Somerset.

Charles Mozley - 'The Royal Wedding', 20th century colour lithograph, inscribed verso, 24.5cm x 36.5cm, within a painted wood frame.

Pierre Charles Canot, after Willem van de Velde - 'A Brisk Gale', etching with engraving, published by John Boydell circa 1765, 42.5cm x 52.5cm, within a Hogarth style frame, together with three further engravings of maritime interest.

Ryos - 'Dawning', late 20th century screenprint, signed, titled, dated '72 and editioned 1/20 in pencil, 39cm x 29cm, within a metal frame.

George Cruikshank - 'The Head ache', 19th century etching, published by Thomas McLean, circa 1835, 22cm x 26.5cm, within a painted and partially gilt frame, together with five further satirical etchings by Cruikshank.

John Thomson (publisher) - Map of Aberdeenshire, engraving hand-coloured in outline, published circa 1826, 53.5cm x 65.5cm, within an ebonized and partially gilt frame, together with another 19th century engraved map, 'Southern Part of Aberdeen & Banff-shrs'.

Lawrence Josset, after Johan Zoffany - Master James Sayer, mezzotint printed in colours, signed in pencil, published by Thomas Ross, 1954, 55cm x 41.5cm, within a stained and partially gilt frame.

Jackson, after Sulman - 'Liverpool from the Mersey', a pair of 19th century panoramic engravings, each 32cm x 104cm, both within gilt frames.

Michael Burghers - Keel Hall, Staffordshire, 18th century engraving, 29cm x 37cm, within a stained wood and partially gilt frame, together with three other 18th century engravings.

William Hogarth - 'Morning', 'Noon', 'Evening', 'Night', a set of four etchings with engraving, published by William Hogarth circa 1738, each 50cm x 40cm, all within Hogarth style frames. Provenance: Lot 220, Christie's Sacombe Park sale, 11th October 1993.

Jan Barend Elwe - 'L'Afrique Divisée en ses Empires, Royaumes et Etats' (Map of Africa), engraving with later hand-colouring, published circa 1792, 48cm x 61.5cm, within a gilt frame, together with two further engraved maps of Africa.

Nicolas de Fer - 'La France, Ses Conquetes, Ses Acquisitions & Les Bornes' (Map of the Country), early 19th century engraving with later hand-colouring, 23cm x 32.5cm, within a partially gilt frame, together with accompanying text and one further 19th century map of France.

Johannes Josseaud - Canal Scene with the Zuiderkerk, Amsterdam, early 20th century etching, 26cm x 14.5cm, within a stained wood frame, together with four further etchings and engravings.