Prints, Maps and Posters

After Andy Warhol - Flowers, screen print in colours, published by Sunday B. Morning, circa 1960s, 90cm x 90cm, within a metal frame.

After Andy Warhol - Flowers, screen print in colours, published by Sunday B. Morning, circa 1960s, 90cm x 90cm, within a metal frame.

After Andy Warhol - Flowers, screen print in colours, published by Sunday B. Morning, circa 1960s, 90cm x 90cm, within a metal frame.

Charles Napier Hemy - Sailing Vessels off Portsmouth, photogravure with hand-colouring, signed in pencil, published by Franz Hanfstaengl, 64cm x 84.5cm, within a stained wood frame.

Bernard Cheese - Fish in a Pan on a Hob, 20th century colour lithograph, 33cm x 37cm, within a stained wood frame.

R.G. Botting - 'Daughters of Lot', woodblock print, signed, titled and dated 1950 in pencil recto, inscribed verso, 31cm x 36.5cm, within a partially gilt frame.

John Gould and William Hart - 'Picus Leuconotus, Bechst', 19th century stone lithograph with hand-colouring, 51cm x 35.5cm, within a gilt frame, together with nine further ornithological lithographs from the same series.

Frank Wootton - 'Chanctonbury Ring', 20th century colour print, signed and editioned 316/500 in pencil, 36cm x 60cm, within a gilt frame, together with a colour print by Gerald Coulson, 'High Speed Intrusion', signed in pencil by both the artist and Wing Commander I.L. Dugmore.

Willem Blaeu - 'Ager Parisiensis vulgo L'Isle de France' (Map of Paris Hinterland), 17th century engraving with later hand-colouring, 39cm x 51cm, within a gilt frame, together with two further engraved maps.

William Nicholson - Wadham College, lithograph, signed in ink, published by the Stafford Gallery circa 1905, 27.5cm x 35.5cm, within an ebonized frame, together with four further lithographs by the same hand, Views of Oxford.

France Hilon [André Bongibault] - Still Life of Flowers in a Vase, 20th century colour aquatint, signed and editioned 66/150 in pencil, 41cm x 51cm, within a silvered wood frame.

H. Frost, after Christopher and John Greenwood - 'Map of the County of Sussex', engraving with later hand-colouring, published circa 1829, 63.5cm x 78cm, within an ebonized wood frame.

Josiah Neele - 'Map of the County of Suffolk from an Actual Survey Made in the Years 1823 & 1824', 19th century engraving with near period colour, 64cm x 75.5cm, within a Hogarth style frame, together with two further engraved maps.

Mark Kanovich - Two Figures resting, 20th century lithograph, signed and editioned 48/225 in pencil, 37.5cm x 54cm, within a silvered frame, together with a silkscreen print.

Daniel Lizars - 'Hindostan' (Map of India), 19th century engraving with later colour, 40.5cm x 51.5cm, within a stained wood frame, together with three further engraved maps.

Giovani Albrizzi - 'Carta Geografica del Congo O Bassa Guinea Della Caffraria E Del Monomotapa' (Map of Southern Africa), 18th century engraving, 34.5cm x 43cm, within an ebonized and partially gilt frame, together with three further 19th century engraved maps, 'Egypt', 'Arabia' and 'Oceanie'.

Margaret Leah Jaggar - 'Ruth', 20th century woodcut in mauve ink, signed and titled in pencil, 22cm x 15.5cm, within a silvered wood frame.

Garrick Palmer - 'A Kennet Watermill', 20th century woodcut, signed, titled, dated '75 and editioned 136/200 in pencil, 23cm x 28cm, within a stained wood frame, together with a colour woodcut print by Eduard Bischoff.

John Harris, after James Pollard - 'Scenes on the Road, or a Trip to Epsom and Back', a set of four etchings with aquatint, published by Ackermann circa 1838, each 44cm x 58.5cm, all within birds-eye maple frames.