Prints, Maps and Posters

A 19th century engraving, 'The Metropolitan Boroughs, As Defined by the Reform Bill' (Map of London), folded and backed onto linen, 62cm x 50cm.

Georg Westermann - 'Europa im 18, Jahrh', colour lithograph in 50 sections folded and backed onto linen, published by Westermann circa 1959, overall 137cm x 206.5cm, within cloth boards.

Cassell (publisher) - 'A Plan of the City's of London, Westminster and Borough of Southwark; with the new Additional Buildings Anno, 1720', 19th century lithograph in 12 sections folded and backed onto linen, 53cm x 67.5cm, together with one further Cassell lithograph, 'London in the Reign of Queen Elizabeth'.

Robert Morden - 'Buckinghamshire' (Map of the County), engraving with later hand-colouring, 44cm x 36.5cm, together with another engraved map of Buckinghamshire.

Thomas Starling, after R. Creighton - 'Map of England & Wales Divided into Counties Shewing the Principal Roads, Railways, Canals & the Rivers as far as they are Navigable', 19th century engraving with later hand-colouring, folded and backed onto linen, 53.5cm x 42cm, together with a small collection of other maps.

W.Macgill (publisher) - 'Edinburgh and the Surrounding Country as Seen from the Calton Hill (356 feet Above Sea Level)' (Panorama of Edinburgh), hand-coloured lithograph in six sections backed onto linen, published circa 1840, overall 28cm x 231cm.

'Spy' - 'Hard Hitter' (Boxing), 19th century lithograph, published by Vincent Brooks for Vanity Fair, 38.5cm x 26cm, together with another engraving of pugilist interest.

Eric James Mellon - 'Sarah with Lovers', 20th century monochrome etching, signed, titled and editioned 'A.P.' in pencil, 28cm x 22.5cm, within a stained wood frame, together with three further signed etchings by the same hand.

Fred Arthur Farrell - Continental Courtyard, early 20th century etching, signed in pencil, 32cm x 25cm, together with a small collection of prints by different hands.

Henry Napartuk - 'Eskimo Pulling a Seal', and 'Eskimo at the Seal Hole', a pair of 20th century woodcuts, both signed and titled in pencil, each 16cm x 23.5cm.

Jean-Émile Laboureur - 'Pour le Nouvel An avec les Voeux', 20th century etching, signed in pencil, 14.5cm x 12cm, together with two similar signed etchings by the same hand and seven other prints and drawings.

Robert Taylor - 'Duel of Eagles', 20th century colour print, signed by Douglas Bader and Adolf Galland in ink, 42cm x 55cm.

William Heath - 'Protestant Descendency, a Pull at the Church', hand-coloured etching, published by Thomas McClean circa 1829, 24.5cm x 36cm, together with a small quantity of 19th century satirical engravings and lithographs by different hands.

John Raphael Smith, after George Morland - 'The Fern Gatherers', mezzotint with near period hand-colouring, published by Smith circa 1799, 53cm x 68cm, together with a hand-coloured lithograph by Sibil Tawse and a quantity of 18th, 19th and 20th century prints.

Thomas Cook - 'Thomas Howard, Earl of Arundel', 18th century engraving on laid paper, 27cm x 21.5cm, together with approximately twenty-eight similar portrait engravings, all within a presentation folio.

Richard Beer - 'Noto II', etching with aquatint on wove, signed, titled and editioned 1/100 in pencil, 72.5cm x 54.5cm.

Martin Lamm - Song Illustrations, twelve offset lithographs, all signed and editioned 116/350 in pencil, each 59cm x 42cm, together with a related LP record and catalogue, all contained within a single folio.

A leather-bound album containing approximately 300 mounted 16th to 19th century engravings and lithographs, leaves 42.5cm x 28cm. Note: The album includes engravings by and after Rembrandt, Stefano della Bella, Israel Silvestre and Jacques Callot amongst others, together with a 19th century scrap album.

John Fulleylove - 'North Porch, Erechtheion, Athens', photogravure, sheet size 38cm x 28cm, together with a collection of prints by and after Fulleylove.