Prints, Maps and Posters

Peter Irwin Brown - 'London's Tramways, Westminster Abbey Tramcars to Embankment Services 33, 35, via the Angel and Bloomsbury' (London Transport Poster), 20th century colour lithograph, published by Waterlow & Sons, 75.5cm x 49.5cm, within a stained wood frame.

His Majesty's Stationery Office (publisher) - 'There is room for good men in the Brigade of Guards, for full Particulars apply to nearest Recruiting Office' (Second World War Recruitment Poster), offset colour lithograph, printed by Chromoworks Ltd circa 1940s, 73cm x 48cm, within a stained wood and gilt frame.

Michael and Nicholas Hanhart, after Thomas Charles Leeson Rowbotham - 'The Pass of the Brenner' and 'St. Goar on the Rhine', a pair of 19th century chromolithographs, both titled verso, each 42cm x 63cm, both within gilt composition frames.

Samuel Cousins, after John Everett Millais - The Princes in the Tower, engraving on India paper, signed by Millais in pencil, published by the Fine Art Society circa 1879, 76.5cm x 50cm, within an oak frame.

Charles-Nicolas Cochin and Jacques-Philippe Le Bas, after Claude Joseph Vernet - 'L'Entrée du Port de Marseille', engraving with later hand-colouring, published circa 1760, 54cm x 74.5cm, within a gilt frame.

After Henri de Toulouse-Lautrec - 'Deux Femmes', colour lithograph, titled certificate verso, printed by Mourlot and published by André Sauret circa 1952, 25.5cm x 37cm, within a swept gilt composition frame.

Frank Martin - 'Sèvres-Babylone, 20th century colour etching, signed, titled and editioned 69/150 in pencil, 42cm x 55.5cm, within a silvered frame.

Elyse Ashe Lord - K'o Ssu', early 20th century hand-coloured etching, signed, titled and editioned 15/75 in pencil, 36.5cm x 30cm, within a gilt frame.

Paul Fourdrinier (publisher) - 'A View and Prospect of the Important Fortress of Philipsbourgh…', 18th century engraving with later hand-colouring on laid paper, 33cm x 37cm, within a stained wood and gilt frame.

Maria Rivans - 'Tora', 21st century colour print, signed, titled and editioned 5/100 in pencil, 45.5cm x 36.5cm, within a painted frame.

William Hole, after Christopher Saxton - 'Cestriae' (Map of the County of Cheshire), 17th century engraving with later hand-colouring on laid paper, 25.5cm x 30cm, within a stained wood frame, together with a map by Emanuel Bowen, 'Cheshire'.

Sasa Marinkov - 'Camley Street, Natural Park', woodcut, signed, titled, dated 1989 and editioned 2/10 in pencil, Royal Academy exhibition label verso, 59.5cm x 88cm, within a stained wood frame.

W. Watkins, after J. Brown - 'The High Priest blessing Israel' and 'Atonement', a pair of 19th century etchings with aquatint and near period hand-colouring, each 46cm x 33.5cm, both within gilt composition frames.

Gabriel White - 'North London Garden', 20th century monochrome etching, editioned 4/20 in pencil recto, artist's name and title to label verso, 21cm x 20.5cm, within an ebonized and gilt frame.

Thomas Lewis Atkinson, after Valentine Walter Bromley - 'Flora', engraving with mezzotint and near period hand-colouring on India paper, published by Thomas McLean circa 1877, sheet size 93cm x 57.5cm, within a gilt composition frame.

British School - 'The Fall' (Cecil Day Lewis Poem), 20th century etching, indistinctly signed, inscribed and dated '89 in pencil, 22.5cm x 17.5cm, within a stained wood and gilt frame.

Mick Rooney - 'Spanish Duo', 20th century etching with drypoint and hand-colouring, signed, titled and inscribed 'A/P' in pencil, 23cm x 17.5cm, within a gilt frame.

Karolina Larusdottir - Family, late 20th/early 21st century lithograph, 41cm x 75cm, within a silvered frame.

John Scorror O'Connor - 'Boy and Fish', 20th century linocut, signed, titled, dated '58 and editioned 1/10 in pencil, 62cm x 47cm, within a limed wood frame.