Prints, Maps and Posters

John Brunsdon - 'Dorset Cove', 20th century colour etching, signed, titled and editioned 34/150 in pencil, sheet size 80cm x 57cm, within a metal frame.

Dutch Expressionist School - Boy riding a Carousel Horse, early 20th century woodcut, indistinctly signed, titled and editioned 10/25 in pencil, 42.5cm x 39.5cm, within an ebonized frame.

Abraham Ortelius - 'Scotiae Tabula' (Map of Scotland), 17th century engraving with later hand-colouring on laid paper, 41.5cm x 53.5cm, within an ebonized frame.

John Speed - 'Buckingham Both Shyre and Shire towne describ.' (Map of Buckinghamshire), 17th century engraving with later hand-colouring, 41cm x 54cm, within a stained wood frame.

Thomas Bowles - 'A View of St. James's Square, London', 18th century etching with engraving and later hand-colouring on laid paper, 24cm x 38cm, within a Hogarth style frame, together with another 18th century etching, 'Vue perspective du Binnekant, de l'Isle Neufie et de la Tour du Mont Albaan à Amsterdam'.

Donald Hamilton Fraser - 'Seascape', 20th century screen print, signed, dated '81 and editioned 33/200 in pencil recto, titled label verso, 54.5cm x 70cm, within a painted frame.

Ernst Barlach - Empörung (The Prophet Elias), monochrome lithograph, published circa 1922, signed and editioned 31/105 in pencil, 55cm x 43.5cm, within a gilt frame.

Louis Icart - 'The Spanish Comb', etching with drypoint and aquatint, published by L'Estampe Moderne circa 1922, signed, titled and editioned 275/546 in pencil, 47cm x 37cm, within a metal frame. References: Holland, Catalia & Isen catalogue no. 140.

Louis Icart - Lettres D'Amour (Love Letters), etching with drypoint and aquatint, published circa 1926, signed and inscribed '152' in pencil and with blindstamp, 40cm x 51cm, within a silvered frame. References: Holland, Catania & Isen catalogue no.289.

Louis Icart - La Dame aux Camélias (Lady of the Camellias), etching with drypoint and aquatint, published by Les Graveurs Modernes circa 1927, signed in pencil and with blindstamp, 43.5cm x 54cm, within a metal frame. References: Holland, Catania & Isen catalogue no.321.

Louis Icart - La Belle Au Bois Dormant (Sleeping Beauty), etching with drypoint and aquatint, published by Icart circa 1927, signed in pencil and with blindstamp, 39cm x 48.5cm, within a metal frame. References: Holland, Catania & Isen catalogue no, 323.

Louis Icart - Don Juan, etching with drypoint and aquatint, published by Icart circa 1928, signed and inscribed 'E.A' in pencil and with blindstamp, 53cm x 36cm, within a metal frame.

Louis Icart - Faust, etching with drypoint and aquatint, published by Icart circa 1928, signed and inscribed 'A72' in pencil and with blindstamp, 54.5cm x 34.5cm, within a metal frame.

Louis Icart - Les Hortensias (Hydrangeas), etching with drypoint and aquatint, published by Icart circa 1929, signed in pencil and with blindstamp, 42.5cm x 54cm, within a metal frame. References: Holland, Catania & Isen catalogue no. 373.

William Daniell - 'Windsor Castle and St. George's Chapel from Romney Lock', 19th century etching with aquatint, 28.5cm x 49cm, within a Hogarth style frame.

Maurice Langaskens - 'Un Conte de Noel', early 20th century colour etching with aquatint, signed, titled and inscribed 'epreuve d'artiste' in pencil, 36.5cm x 46.5cm, within a gilt frame, together with another etching by the same hand, 'Les Pionniers'.

Jodocus Hondius, after Gerard Mercator - 'Anglia Regnum' (Map of England), 16th century engraving with later hand-colouring on laid paper, 38cm x 48.5cm, within a Hogarth style frame.

Jodocus Hondius after John Speed - 'Hartfordshire described' (Map of Hertfordshire), late 17th Century engraving with later hand-colouring, sheet size 42cm x 54cm, within a Hogarth style frame.

Adrien Étienne Drian - Young Woman reclining on a Sofa, early 20th century etching with drypoint, signed and editioned 80/150 in pencil, 42cm x 47.5cm, within a gilt frame.