Prints, Maps and Posters

Eileen Alice Soper - 'Lunchtime at School II', etching, published circa 1927, signed in pencil, labels verso, 17.5cm x 28cm, within a titled mount and stained wood frame. Provenance: the estate of Eileen and George Soper.

Henry Winkles, after Augustus Charles Pugin - The Long Gallery, and Library, two etchings with aquatint and hand-colouring, circa 1826, from John Nash's 'The Royal Pavilion at Brighton', each 19.5cm x 29cm, both within gilt frames.

James Stroudley - 'Fresh Weather in the Channel, Saltdean', 20th century etching, signed, titled and editioned 3/50 in pencil, 36cm x 33cm, within a silvered frame, together with two similar etchings by the same hand.

William Lionel Wyllie - 'Thames Lightermen', late 19th/early 20th century monochrome etching on India paper, signed in pencil recto, titled label verso, 25.5cm x 38cm, within an ebonized and gilt frame.

Thomas Gaugain, after James Northcote - 'Country Girl of Tuscany', colour stipple engraving, published by Torre & Co circa 1860, 25cm x 19.5cm, within an ebonized and gilt frame.

Jean Michel Folon - 'Editions/Galerie Marquet 7 Rue Bonaparte Paris 6' (Poster for the Exhibition), colour lithograph, published circa 1972, 63.5cm x 48cm, within a metal frame.

Jean-Michel Folon - 'Le Marathon de Confortes' (Poster for the Exhibition at Galerie Marquet), colour lithograph, published by Editions Marquet circa 1974, 77cm x 57cm, within a metal frame.

William Lionel Wyllie - 'HMS Chester', late 19th/early 20th century monochrome etching with drypoint, signed in pencil recto, titled label verso, sheet size 21cm x 29cm, within an ebonized frame.

Eileen Alice Soper - The See-saw, early 20th century etching, labels verso, 10.5cm x 15cm, within an ebonized frame.

Salvador Dali - The Eagle of Grace, colour woodblock, published for the Divine Comedy circa 1964, bears signature, 32.5cm x 25.5cm, within a gilt frame.

John Scorror O'Connor - Haystacks, a pair of 20th century lithographs, both signed in pencil, each 44cm x 33cm, both within painted frames, together with a linocut by the same hand, 'Sunset & Flowers'.

Copyright [C.R. Thomas] - Day Dreamer, 21st century colour print, signed and editioned 32/42 in ink, 48.5cm x 48.5cm, within a painted frame.

Charles, H.R.H. Prince of Wales - 'Balmoral Winter Scene', colour lithograph, signed, dated 2002 and editioned 42/100 in pencil, titled Belgravia Gallery label verso, 26cm x 29.5cm, within a gilt frame.

René Vincent - 'Porto Ramos-Pinto' (Advertising Poster), colour lithograph, published by Vercasson circa 1920, 49cm x 34cm, within a silvered frame, together with an exhibition poster, 'Doutreleau'.

Eileen Alice Soper - 'Childrens Hour', early 20th century etching, signed in pencil, titled label verso, 20.5cm x 17cm, within an ebonized frame.

Thomas McLean (publisher) - 'A Sketch in the Park' (Arthur Wellesley, 1st Duke of Wellington, and Harriet Arbuthnot), stone lithograph on India paper, circa 1831, 27cm x 19cm, within a stained wood frame.

Étienne Delessert - 'Notes pour un Incendie' (Poster for the Exhibition at Galerie Marquet), colour lithograph, published circa 1976, 69cm x 49cm, within a metal frame.

John Piper - 'Brunswick Terrace, Brighton' (Hove), 20th century etching with aquatint and hand-colouring, published by Duckworth circa 1939, titled label verso, 22cm x 28cm, within a painted frame. Note: probably from the edition of 55 hand-coloured by the artist.

Roger Harris - 'Rainbow', 20th century etching with hand-colouring, signed, titled, dated '76 and editioned 10/25 in pencil, sheet size 25cm x 17cm, within a gilt frame, together with two similar etchings by the same hand and a lithograph by Martin Leman, 'Rose Bud'.