Prints, Maps and Posters

Mary Barnes - 'Looking Back', 20th century screen print, signed, titled, dated '75 and editioned 9/35 in pencil, 47.5cm x 64.5cm, together with another screen print by the same hand.

Emanuel Bowen - 'An Accurate Map of the County of Derby Divided into its Hundreds and Drawn from the best Authorities', engraving on laid paper, published by Carrington Bowles circa 1787, 72.5cm x 55.5cm, within a Hogarth style frame.

John Raphael Smith, after Matthew William Peters - 'The Fortune Teller', mezzotint with near period hand-colouring, published by Smith circa 1786, 44.5cm x 46cm, within a Hogarth style frame, together with four 19th century engravings and a lithograph.

Circle of Giuseppe Vasi - 'Veduta del Tempio della Sibilla a Tivoli', 18th century engraving with hand-colouring, 8.5cm x 13.5cm, within a gilt frame, together with five similar engravings of Rome, and two other architectural prints.

Winifred Austen - 'Jenny Wren', early 20th century etching, signed and titled in pencil, 12.5cm x 15.5cm, within a stained wood frame, together with another etching by the same hand, 'Dormouse'.

Louis LeBreton - 'Combat Naval livré sur la Rade de Hampton entre L'Escadre Fédérale' (American Civil War Naval Battle between USS Monitor and CSS Virginia), 19th century stone lithograph with near period hand-colouring, published by Wild and printed by Lemercier circa 1862, 57cm x 76cm. Note: scarce, illustrating the first battle between iron ships of war.

J. Hitchen - 'The New Port, Adelaide, South Australia', 19th century lithograph, published by J.C. Hailes, 50.5cm x 62.5cm.

Henry Bernard Chalon - 'Rage & Agony', 'Love', 'Joy or Gladness, an Old Favourite Hunter', 'Affection', 'Courage', and 'Terror', six stone lithographs, printed by Engelmann and published by J. Dickinson et al circa 1827, image sizes 43cm x 52cm.

Jean Pesne, after Nicholas Poussin - 'Confirmantur Chrismate Salutis', late 17th century etching with engraving on laid paper, published by Audran, 65cm x 48cm, together with seven other engravings by the same hand.

F.H. Stingemore - 'Map of London's Underground Railways', folding colour lithograph, published by Waterlow & Sons Limited, circa 1926, overall 12.5cm x 15cm.

W.H. Smith (publisher) - 'Map of Environs of London', early 20th century lithograph, backed onto linen, overall 74cm x 86.5cm, folding within cloth covered boards with paper title.

Rowland Hilder - Farm Buildings and Trees, 20th century etching, signed and editioned 17/175 in pencil, 11cm x 11cm, within a gilt frame.

Léonard Tsuguharu Foujita - Study of a Cat, collotype on Arches wove paper, published circa 1930, 25cm x 30cm. Note: one of the illustrations Foujita provided for Michael Joseph's 'A Book of Cats', lacking 'Made in France' stamp.

Wilfred Fairclough - Miss Hattie Jacques at the Players' Theatre, etching, signed and dated 1955 in pencil, 27cm x 18cm, together with a related letter.

Warner Brothers (studio) - 'Baby Doll' (Movie Poster), colour lithograph, published circa 1956, 44cm x 33cm.

Cecil Aldin - Plough Team, mixed media over a printed base, 13cm x 18cm, within an oak frame.

Mordaunt Parker - Continental Square with Figures at a Fountain, early 20th century woodcut, signed and editioned 8/25 in pencil, 15cm x 19cm, within an ebonized frame, together with a woodcut by Phyllis Johnston.

C. Moody, after B. Hubbard - 'The Prize Heifer, Flower', stone lithograph with later hand-colouring, published by Thomas Moses circa 1846, 55.5cm x 75.5cm, together with another example of the same print.

Francis Jukes, after Joseph Parry - 'View of Pontcysyllte Aqueduct, North Wales', engraving with aquatint, published by Parry circa 1806, 49cm x 60.5cm.