Prints, Maps and Posters

Rembrandt van Rijn - The Descent from the Cross: Second Plate, etching with engraving on laid paper, circa 1633, probably New Hollstein's fourth state of eight, 51cm x 40.5cm.

Rembrandt van Rijn - The Death of the Virgin, etching with drypoint on laid paper with Bunch of Grapes watermark with countermark, circa 1639, New Hollstein's fourth state of five, 41cm x 32cm.

William Lionel Wyllie - Barges in Thames Estuary, early 20th century etching, signed in pencil, 34cm x 48cm.

Gus Cummins - 'Dark Space', 20th century etching, signed, dated and inscribed 'A/P' in pencil, 20.5cm x 26cm, within an ebonized frame.

Nicolas and William Sanson - 'Creta Insula, Plerumq Deum Natalibus...' (Map of Crete), engraving on laid paper with later hand-colouring, published by Nicolas du Louvre circa 1676, 46.5cm x 61.5cm.

Samuel Lewis - 'A Topographical Dictionary of Scotland', folding engraved map in six parts with near period hand-colouring, published by Lewis circa 1851, each part overall 69cm x 64.5cm, within cloth covered boards with gilt titles.

George Philip & Son (publisher) - Road Map of England and Wales, ten lithographs, each in nine sections, folded and backed onto linen, each overall 75cm x 92cm, within a leather case.

John Arrowsmith - 'Australia from Surveys Made by Order of the British Government, combined with those of D'Entrecasteaux, Baudin, Freycinet &c. &c.' (Map of the Country), 19th century engraving with near period hand-colouring on two sheets, 71cm x 56cm, together with another similar map by the same hand, 'The Maritime Portion of South Australia', and eight further maps.

Richard van Orley, after Peter Paul Rubens - 'Luctantur gressus, cerebro vindemia feruet', late 17th/early 18th century etching with engraving on laid paper, 43.5cm x 31cm, together with three further 18th century etchings after Rubens.

Thomas Packer - 'Panoramic View of the Whole Empire of Russia, in Europe & Asia', lithograph, printed by Stannard & Dixon and published by F. Sinnett circa 1855, sheet size 56cm x 75.5cm, together with seven similar lithographs from the same series, a map of the Crimea by James Wyld and three other prints of Russian interest.

Jonathan Young, after John Hoppner - 'Right Hon. The Earl of Moira, Commander in Chief of His Majesty's Forces in North Britain', mezzotint, published by Young circa 1805, 73cm x 52.5cm, together with a quantity of mezzotints, engravings and lithographs.

After George Stubbs - 'Tygers at Play' (Leopards at Play), etching with engraving, from the edition of 175 published by Observer Art circa 1974, sheet size 58cm x 64cm, together with another similar engraving after Stubbs, both within a cloth covered folio with paper title.

Charles Maurice Detmold and Edward Detmold - 'The Village Club' and 'Elephant with Trappings', two chromolithographs from Rudyard Kipling's 'The Jungle Book', published by Macmillan circa 1903, each sheet size 33cm x 39.5cm.

William Hogarth - 'The Indian Emperor', etching with engraving, published by James Heath circa 1822, together with approximately fifty-two further engravings by the same hand, all from 'The Works of William Hogarth from the Original Plates', leaves 47cm x 64cm, within a part-leather binding.

After Charles Le Brun - 'Joy with Tranquility', stipple engraving, published by S.W. Fores circa 1800, 38cm x 28cm, together with seventeen similar stipple engravings after the same hand.

James Gillray - 'Ci devant Occupations, or, Madame Talian and the Empress Josephine', 19th century etching with later hand-colouring, sheet size 34cm x 48cm, within a mount.

Pass, after J. Ihle - 'The Great American Spider, which prey on Birds', engraving with later hand-colouring, published by E. Sibly circa 1794, 12.5cm x 18.5cm, together with one hundred and five similar natural history engravings and a lithograph, all within an album.

Girard Audran, after Raphael - 'La Noblesse', late 17th/early 18th century etching with engraving, together with twelve similar engravings, all from 'Diverses Figures Hierogliphiques Peinte par Raphael d'Urbin dans une des Sallea du Vatican à Rome', leaves 50.5cm x 34cm, mounted within a cloth-bound album.

Liu Haiming - 'Leafs', monochrome woodcut, signed, titled, dated 1998 and editioned 3/80 in pencil, 42cm x 59cm, together with nine similar woodcuts by the same hand.