Prints, Maps and Posters

Joseph Daniels - 'Coal Annual Map of the South West Coalfield, Taking of Steam and Anthracite Properties, the Railways serving the District and the Ports of Shipment', colour lithographed map in 20 sections and backed onto linen, overall 97cm x 79cm, folding within original boards, together with an unframed 1960s Ordnance Survey map of Wales.

William Kip - 'Dorcestriae Comitatis Vulgo Dorsett' (Map of the County of Dorset), 17th century engraving with later colour, 27.5cm x 38cm, within a Hogarth style frame, together with two further maps and two prints.

John Speed - 'Wales' (Map of the Country with Town Plans of Bangor, Beaumaris, Denbigh, Flint, Cardiff and elsewhere), 17th century engraving with later colour, sold by John Sudbury and George Humble, Latin text verso, 38.5cm x 51cm, within a Hogarth style frame, together with another map by Robert Morden, 'Sussex'.

After William Shayer - 'Coursing, Greyhound in Slip', 'Coursing, Greyhounds Running', 'Coursing, The Death', a set of three mid-19th century hand-coloured lithographs, each 31.5cm x 37.5cm, within stained wood frames.

After Henry Alken - Coursing Scenes, four early 19th century hand-coloured aquatints, each 32.5cm x 43cm, within verre églomisé mounts and ebonized frames.

After Thomas Rowlandson - 'Jockeyship', etching with later colour, 23.5cm x 31cm, within a bird's eye maple frame.

After Robert Dighton - 'Beau N-sh, What a Flash taken on the Steyne at Brighton', 'Descriptions of Battle by Sea & Land' and 'The Lady of the Lake', three early 19th century hand-coloured etchings, 22.5cm x 17.5cm, within ebonized frames, together with a print after Henry Bunbury and another after Piranesi.

After Thomas Webster - 'Punch', mid-19th century engraving, 64cm x 119cm, within an ebonized frame.

William Kip, after John Norden - 'Sussexia, sive Southsex, olim pars Regnorum' (Map of the County of Sussex), 17th century engraving with later colour, 21.5cm x 38cm, within a gilt frame, together with four further framed maps.

Emanuel Bowen - 'Tunxo in the Province of Peking [with] Chinese Pilgrimage of a Whole Village to the Temple of Jugangu to obtain a fertile Year' (Plate from Harris' 'Navigantium atque Itinerarium Bibliotheca'), mid-18th century engraving, together with eight further engravings from the same work including 'Inside of the Temple Jugangu in the Province of Peking', 'An Indian Monarch giving Audience from his Elephant', 'A Plan of the City of Canton on the River Ta ho', 'Plans of the Old & New City of Peking ye Metropolis of China' and 'The Inhabitants of California in their respective dresses'.

A late 18th century reverse coloured print on glass, Portrait of a Gentleman, 30.5cm x 25.5cm, within a Hogarth style frame, together with two religious reverse coloured prints on glass.

An 18th century engraving, 'Porticus Pompeiana', 49cm x 41cm, within a faux wood frame, together with two hand-coloured engravings, 'A General Prospect of Palmira' and 'The Remains of the Great Temple in Palmire seen from the West', within gilt frames.

Joseph Wright of Derby - 'Sir Richard Arkwright', mezzotint by John Raphael Smith published 1801, 63.5cm x 46cm, within an ebonized frame, together with another mezzotint, '…Most Noble Wm Robt Duke of Leinster' and an engraving, 'General The Right Honorable Lord Hill'.

After Romanelli - 'Poetry', colour engraving by P.W. Tomkins, 33cm x 25cm, within a gilt frame, together with three similar prints.

R. Sayer and J. Bennett (publishers) - 'Blind Plaintiff lame Defendant Share, The Friendly Laws impartial Care…', mezzotint published 1779, 36cm x 26cm, together with a collection of prints, including a group relating to Warren Hastings.

After Anthony Van Dyke - Charles I and his Family, late 18th century engraving, 52cm x 37cm, within a brown painted frame.

After Fredrick Jones - 'Old Worthing' (Panorama of the Seafront), hand-coloured lithograph, 29.5cm x 72.5cm, within an oak frame.

Anthonie Waterloo - 'Churchyard at the Waterside', etching on laid paper, artist's name, title and inscribed 'first state of three' to Christopher Mendez label verso, 9.5cm x 14cm, within a faux wood frame.

James Cole - 'A Prospect of the Choir of the Cathedral Church of Canterbury', 18th century engraving, 41cm x 32cm, within a Hogarth style frame, together with a lithograph after Thomas Sidney Cooper and another lithograph, 'Bow Church, Co. of Middlesex'.