Prints, Maps and Posters

Jack Vettriano - 'Tension', 'Timing' and 'Triumph' (Jackie Stewart at Monaco, 1971), a set of three giclée prints on canvas, one signed by Jackie Stewart, one signed by Vettriano and one signed by both, all editioned 69/75, two 49.5cm x 39.5cm, Triumph 60cm x 47.5cm, all within painted and partially silvered frames.

Caroline Bilson - 'The Theatre Royal, Brighton' and 'The Royal Pavilion, Brighton', a pair of colour prints, both signed and titled in pencil, each 86.5cm x 59.5cm, within gilt frames.

Howard Hodgkin - Green Thought, carborundum relief printed in colours, signed with initials, editioned 10/14 and dated 2014 in pencil, 80cm x 80cm, float mounted in a white painted frame of wide section.

Andy Warhol - 'Warhol' (Poster for The Tate Gallery Exhibition), colour lithograph circa 1971, 75.5cm x 50.5cm, within a clip frame, together with three further exhibition posters '50 Years Bauhaus', 'Matisse' and 'Ian Stephenson'.

David Hockney - 'Little Boodge (detail)', monochrome poster print, published by 1853 Gallery circa 1993, 28cm x 42cm.

Paul Karslake - 'Pretty in Pink (Audrey Hepburn)', colour giclée print, signed and editioned 18/95 in pencil, 57cm x 74cm, within a faux wood frame.

Snaffles [Charles Johnson Payne] - 'Oh! To Be In England Now That April's There' and 'Sandown, Asking 'Em The Question', two colour prints, both with publisher's blindstamp, 53cm x 72cm and 48.5cm x 72cm respectively, within faux wood frames.

Michael Ayrton - Plates from Femmes Hombres, two monochrome etchings, both signed in pencil and editioned 1/XX 12 in pencil, each sheet size 28.5cm x 41cm, within silvered frames.

Raymond, Ray Jones - Quai de L'Hotel de Ville, Paris, drypoint etching circa 1915, signed in pencil, sheet size 32cm x 25cm.

Harry Harvey Clarke - 'The Edge of the Wood', monochrome etching, signed in pencil and with publisher's blindstamp recto, titled label verso, 19.5cm x 18.5cm, within an ebonized frame.

Alexander Orlovsky, aka Alexander Orlowsky - Troika Scenes, two monochrome lithographs by Beggrow circa 1820, each 41cm x 58.5cm, within gilt frames.

Alexander Orlovsky, aka Alexander Orlowsky - Troika Scenes, two monochrome lithographs circa 1820, one by Beggrow, each 45.5cm x 57cm, within gilt frames.

Philips Wouverman - 'Pillage des Reitres Pendant les Guerres Civilles des François' and 'Quartier de Rafraichissement', a pair of mid-18th century engravings by Moyreau, 39cm x 50.5cm, within Hogarth style frames.

John & George Smith of Chichester - Rural Scenes, fifteen mid-18th century engravings, 11.5cm x 14cm to 22cm x 34cm, mounted in an album with approximately sixty-eight other 18th and 19th century engravings, including many by Henry Bellenden Ker.

Peter Paul Rubens - 'The Watering Place', engraving by John Browne published by John Boydell circa 1770, with later colour, 46.5cm x 57cm, within a gilt frame.

J.F. Herring - 'Fore's National Sports, Plate 5, Fox Hunting Plate 3, The Run', engraving by J. Harris with modern colour, 63cm x 114cm, within a gilt frame.

A.H. Wilds - Panorama of Brighton Seafront from Brunswick Terrace to Norfolk Hotel, early/mid-19th century hand-coloured aquatint by A. Edington published by W.H. Mason, 10.5cm x 151cm, within an oak frame.

A late 18th century reverse colour print on glass, Shepherd, Shepherdess and Flock in a Landscape, 24cm x 33cm, within an Empire style gilt composition frame.

A tondo 19th century colour stipple engraving, possibly by Bartolozzi, Classical Figure offering his Dagger to a Maiden, diameter 30.5cm, within a gilt composition frame, together with an oval colour stipple engraving, and a monochrome engraving after Joshua Reynolds.