Prints, Maps and Posters

W.R. Gardner - 'New and Improved Map of England and Wales, including the Principal part of Scotland', hand-coloured engraving in 20 sections and backed onto linen, 74.5cm x 63.5cm, within an oak frame.

Johannes Blaeu - 'Nigritarum Regio' (Map of Western Africa), late 17th century engraving with later hand-colouring, 43.5cm x 60cm, within a Hogarth style frame.

Emanuel Bowen - 'A New and Accurate Map of Negroland and the Adjacent Countries, also Upper Guinea…', mid-18th century engraving with later colour, 36.5cm x 44.5cm, within a Hogarth style frame.

Abraham Ortelius - 'AEgyptus Antiqua' (Map of Egypt with Inset Plan of Alexandria), engraved map with later hand-colouring on two sheets, each 41cm x 50cm, within black and gilt frames.

Guillaume De L'Isle - 'Carte De La Barbarie de la Nigritie et de La Guinée' (Map of West Africa), mid-18th century engraving with near period coloured outlines, 55cm x 67.5cm, within an ebonized and gilt frame.

Johann Baptist Homann - 'Aegyptus Hodierna' (Map of Egypt), early 18th century engraving with near period colouring, 61cm x 51.5cm, within an ebonized and gilt frame.

Guillaume De L'Isle - 'Carte de l'Égypte, de la Nubie, de l'Abyssinie &c', early/mid-18th century engraving with later colour, 53cm x 67cm, within an ebonized and gilt frame.

Thomas Kitchen - 'Africa with all its States, Regions, Islands, &ca', hand coloured engraving published by Laurie & Whittle in 1794, 52.5cm x 62.5cm, within an ebonized and gilt frame together with two maps and two prints.

Paul Sandby - 'The West Front of St Paul's, Covent Garden', monochrome engraving, published 1777, 40cm x 54cm, within a gilt frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'The Lodge & Stables & Eight Views of Windsor Great Park', late 18th century engraving, 34cm x 58cm, within a faux wood frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby, after Cleriseau - 'Triumphal Arch at Fano, Built in Honour of Constantine', sepia etching with aquatint with touches of hand-colouring, published 1778, 38.5cm x 53cm, within a black and gilt frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'A View of St James's Gate from Cleveland Row' and 'Scotland Yard with Part of The Banqueting House', two engravings by Edward Rooker, published 1766, 40cm x 54cm and 41.5cm x 55cm, one within a gilt frame, the other in a partially gilt frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'South East View of Bridge-North in Shropshire', sepia aquatint published 1778, with later colour, 34.5 x 50.5cm, within a gilt frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'Warwick Castle from the Lodge Hill', 'The Entrance of Warwick Castle from the Lower Court', 'Caesars Tower and part of Warwick Castle from the Island' and 'Part of Warwick Castle from the South East', four sepia aquatints published by John Boydell, circa 1776, 44.5cm x 59cm, all within Hogarth style frames. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - View of a Cathedral on the Bank of a Canal, late 18th century sepia etching with aquatint, 32.5cm x 51cm, within a black and gilt frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'The Fox Public House on Old Windsor Green', hand coloured aquatint, 26cm x 36.5, within an ebonized frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'The Old Welsh Bridge, Salop', monochrome etching by Owen, published 1821, 31cm x 41cm, within a bird's eye maple frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'Eton College from Crown Corner', late 18th century hand-coloured etching with aquatint, 30cm x 46cm, within a gilt frame. Provenance: The Collection of the Late Sarah Baynton-Williams.

Paul Sandby - 'North East View of Bothwell Castle in Clydesdale' and 'South View of Bothwell Castle', (plates 108 & 109), a pair of late 18th century etchings, each 28cm x 38cm, within ebonized frames. Provenance: The Collection of the Late Sarah Baynton-Williams.