Prints, Maps and Posters

Wenceslaus Hollar, after Thomas Johnson - 'The North Prospect of Canterbury', etching, published by John Ogilby circa 1675, 17.5cm x 55cm, within a stained wood frame.

John Bluck, after Henry Salt - 'The Town of Abha in Abyssinia', etching with aquatint and hand-colouring, published by William Miller circa 1809, 46cm x 60cm, within a gilt frame.

Margaret Kemp-Welch, after Lucy Kemp-Welch - A Ploughing Team of Horses in a Landscape, etching, signed by both artists in pencil, published by The Fine Art Society circa 1907, 37cm x 47cm, within a stained wood frame, together with an etching by Herbert Dicksee, 'The Last Furrow'.

William Henry Simmons, after Frederick Newenham - 'The Protector dictating the Letter to the Duke of Savoy to stop the Persecution of the Protestants in Piedmont, 1655', mixed method engraving, published circa 1854, 57cm x 64cm, within a gilt frame, together with a related mezzotint by Charles Turner, after William Faithorne, 'Oliver Cromwell, Lord Protector of England, Scotland, France and Ireland, and the Territories thereunto belonging'.

Robert Spence - 'Taking boat, I went down to Kingston...', late 19th/early 20th century etching, signed in pencil, 28cm x 32cm, together with another similar etching by the same hand.

Maud Earl - 'English Pointers', photogravure, signed in pencil, published by the Berlin Photographic Company circa 1902, 25.5cm x 33cm, within a stained oak frame, together with two similar photogravures by the same hand.

Louis Hague, after David Roberts - 'Portico of the Temple of Kalabshi', 'Thebes', 'Encampment of the Aulad-Sa'id', 'Mosque El Mooristan, Cairo', 'Mosque of Sultan Hassan, from the Great Square of the Rameyleh' and 'Slave Boat on the Nile, View Looking Toward the Pyramids of Dashour and Saccara', six stone lithographs with hand-colouring, published by F.G. Moon circa 1844-1849, largest 39cm x 53.5cm, all within gilt frames.

Eleazar Weiss Albin - Butterflies, Moths and Caterpillars, four 18th century engravings with hand-colouring on laid paper, each 27cm x 21cm, all within walnut and gilt frames, together with twenty further natural history prints, all within frames.

John Norden and John Speed - 'Sussex Described and Divided' (Map of the County), engraving on laid paper, published circa 1610-1612, 40cm x 52.5cm, within a Hogarth style frame.

Jan and Willem Blaeu - 'Ducatus Eboracensis pars occidentalis; The West Riding of Yorke Shire' (Map of the County), 17th century engraving hand-coloured in outline on laid paper, 39.5cm x 50.5cm, within a Hogarth style frame, together with a map of Devonshire by Robert Morden.

Pieter Van den Keere and John Speed - 'Southampton' (Map of the County of Hampshire), 17th century engraving with later hand-colouring in outline on laid paper, 9cm x 13cm, within a gilt frame.

Pieter van der Keere - 'A New Mape of Ye XVII Provinces of Low Germanie' (Map of Germany), 17th century engraving on laid paper with later hand-colouring, 9.5cm x 12.5cm, together with another 17th century map of Egypt by Robert Morden, both within gilt frames.

Robert Morden - 'Staffordshire' (Map of the County), late 17th/early 18th century engraving hand-coloured in outline on laid paper, 43cm x 37.5cm, within a Hogarth style frame.

John Smith, after Godfrey Kneller - 'Madam D'Avenant', mezzotint, circa 1689, 34.5cm x 26cm, within a Hogarth style frame, together with eleven other prints, mostly portrait engravings and mezzotints, all within frames.

Valentine Green, after Nathan Drake - 'Arthur Wentworth of Bulmer, near Castle Howard, Yorkshire', mezzotint, circa 1767, 28cm x 36.5cm, within a gilt composition frame, together with four other engravings and aquatints.

Cecil Aldin - 'Old English Inns, The Middle House Mayfield', early 20th century colour print, signed in pencil and with Fine Art Trade Guild blindstamp, published by Eyre & Spottiswoode, 55cm x 40cm, within an ebonized frame, together with a print after Cecil Aldin, 'Hunting Types'.

An 18th century engraving, 'Porticus Pompeiana', 49cm x 41cm, within a faux wood frame, together with two hand-coloured engravings, 'A General Prospect of Palmira' and 'The Remains of the Great Temple in Palmire seen from the West', within gilt frames.

John Gould and Henry Constantine Richter - 'Petrocossyphus Cyanus' (Birds), 19th century stone lithograph with hand-colouring, 50cm x 35cm, together with six further ornithological lithographs from the same series, all within matching gilt frames.

Howard Phipps - 'Open Doorways, the Netherhall', woodcut, signed, titled, editioned 46/50, and dated 1983 in pencil, 12.5cm x 9cm, within an ebonized frame.