Prints, Maps and Posters

Ordnance Survey (publishers) - 'Tournai', colour lithograph folded and backed onto linen, published by Ordnance Survey for the Geographical Section of the War Office circa 1917, overall 64.5cm x 85.5cm, together with thirty-eight other folding maps, the majority of First World War military interest, including Amiens, N.W. Europe, Calais. Hazebrouck, Valenciennes and Yvetot, amongst others.

Harry Margary (publisher) - 'A Large and Accurate Map of the City of London', facsimile of the 1676 Ogilby and Morgan survey of London, published by Harry Margary in association with Guildhall Library 1976, sheet sizes 44cm x 57cm, within cloth covered boards, together with the introductory notes by Ralph Hyde and a bound explanation booklet.

G.W. Bacon & Co. (publisher) - 'Bacon's New Plan of Hammersmith from the New Ordnance Survey', engraving, hand-coloured in outline, published by G.W. Bacon & co circa 1890s, overall 38.5cm x 49.5cm, folded within cloth covered boards with original paper label, together with a collection of other folded maps and travel guide books.

Anne Wienholt - 'Crucifixion', 20th century etching with hand-colouring, signed, titled and dated '48, 12.5cm x 13.5cm, within a stained wood frame.

Meta Plückebaum - 'Fifi' (Study of a Kitten), early 20th century etching, signed and titled in pencil, 12.5cm x 10cm, within a gilt frame.

Jean Renard - Study of a Gordon Setter and an English Setter, early 20th century colour etching, signed in pencil, published by the Paris Etching Society, New York, 19cm x 23.5cm, within a gilt frame.

Edward Gilbert Hester, after Orlando Norrie - 'The British Army', 19th century engraving with aquatint and hand-colouring, published by Arthur Ackermann circa 1879, 52cm x 82.5cm, within an oak frame.

George Draper (architect) - 'A Sketch of the new Race Stand, built at Goodwood for His Grace the Duke of Richmond', 19th century stone lithograph, 35cm x 55cm, within a stained wood frame. Note: we can find no other examples of this scarce print.

Charles William Sharpe, after Daniel Maclise - 'The Death of Nelson at the Battle of Trafalgar', engraving, published by the Art Union of London circa 1876, 50cm x 129cm, within a stained wood frame.

Joseph Constantine Stadler, after Peter Charles Henderson - 'The Maggot-bearing Stapelia' (Plate from Dr. Thornton's 'Temple of Flora'), etching with aquatint and hand-colouring, published by Dr. Thornton circa 1801, 50.5cm x 36.5cm, within a Hogarth style frame.

E. Fertucci - 'Rialto' and 'Lagundi' (Venetian Scenes), a pair of 20th century etchings, both signed and titled in pencil, each 15cm x 19cm, both within ebonized frames.

Hungarian School - Budapest Street Scenes, two 20th century etchings, both indistinctly signed and titled in pencil, 43cm x 60cm and 58.5cm x 40cm respectively, both within aluminium and wood frames.

George Baxter (publisher) - 'Australia, News from Home' and 'News from Australia', a pair of oil colour lithographs, published circa 1854, each 10.5cm x 14.5cm, both within stained wood frames, together with two other Baxter prints.

James Gillray - 'Paddy on Horseback', etching with later hand-colouring, originally published by W. Humphrey circa 1770 but from the later reprinted edition by Thomas M'Lean circa 1830, 25cm x 34cm, together with another etching by the same hand, 'The Sound of the Horn! Or the Danger of Riding an Old Hunter'.

Jean Herblet - Head Studies of Setters, 20th century etching with stipple and hand-colouring, signed in pencil, 38cm x 48cm, within a gilt frame.

Geoffrey Sparrow - 'Crawley & Horsham Foot Followers' (Fox Hunting Scene), 20th century etching, signed, inscribed and dated '55, 20cm x 21cm, within a stained wood frame.

After John Emms - Hours of Idleness (Foxhounds and Terrier in a Stable), 20th century etching with later hand-colouring, 43.5cm x 55cm, within a gilt frame, together with a hand-coloured engraving after Henry Alken, 'An Awkward Corner'.

Guillaume Delisle - 'Les Isles Britanniques par Mr. De L'Isle' (Map of Great Britain and Northern Ireland), engraving on laid paper, published in Paris circa 1740, 40cm x 34cm, within a stained wood frame.

Jacques-Nicolas Bellin - 'Carte de la Siberie' (Map of Siberia), 18th century engraving on laid paper, 30cm x 46.5cm, within an ebonized frame.