Prints, Maps and Posters

Henry Wilkinson - Two Lapwings in a Marshland Landscape, 20th century etching with hand-colouring, signed and editioned 29/150 in pencil, 27cm x 36cm, together with two further signed etchings by the same hand, Pheasants in a Landscape, and Mallard Ducks, all within gilt frames.

Charles Williams - 'A Sketch at Brighton taken to Lee-ward', etching with later hand-colouring, published by Samuel William Fores circa 1804, 23cm x 19cm, within a Hogarth style frame, together with two portrait engravings, both within frames.

Robert Laurie & James Whittle (publishers) - 'Ever Memorable Battle off Cape Trafalgar: 21 October 1805', etching with aquatint and hand-colouring, published by Laurie & Whittle circa 1805, 29cm x 43cm, within a Hogarth style frame, together with a 19th century portrait mezzotint after Thomas Lawrence of Richard Wellesley, 1st Marquess Wellesley.

Joseph Contantine Stadler, after Thomas Daniell - 'Dalmour on the Ganges', etching with aquatint, published 1804, 35cm x 47cm, within a gilt frame.

George Baxter (publisher) - The Lover's Letter Box, colour oil lithograph, published by George Baxter circa 1856, 34cm x 24cm, within a gilt composition frame.

René Bouet-Willaumez - Prancing Horses, 20th century lithograph in colours, signed and editioned 2/125 in pencil, 49.5cm x 71cm, within an ebonized frame.

Helen Bradley - September, 20th century colour print, signed in pencil and with Fine Art Trade Guild blindstamp, 40cm x 57cm, within a gilt frame.

Charles George Lewis, after Thomas Slingsby - The York and Ainsty Hunt, engraving with etching and stipple, signed and inscribed 'artist's proof' in pencil by the engraver, with an additional inscription in ink by Mrs Slingsby, 59cm x 82cm, within a stained wood frame.

William Roberts - 'Camel March' and 'Colonel Sir McMahon', two colour lithographs, published for T.E. Lawrence's 'Seven Pillars of Wisdom' circa 1926, 17.5cm x 31.5cm and 19.5cm x 16.5cm respectively, both within stained wood frames.

John Smith, after Godfrey Kneller - His Royal Highness Prince George of Denmark, oval 18th century reverse coloured mezzotint on glass, 29cm x 24cm, within a raked knull gilt composition frame.

Marcel Jacque - 'Barbizon', a pair of etchings with hand-colouring, both signed, titled and dated 1953 in pencil, each 20cm x 25.5cm, both within stained wood frames.

William Lionel Wyllie - Vessels in a Harbour with Figures on a Quayside, early 20th century etching with drypoint, signed in pencil, 19cm x 24cm, within a Hogarth style frame.

Joseph Kirkpatrick - 'Spring Sunshine', early 20th century etching, signed in pencil recto, titled label verso, 18.5cm x 10.5cm, together with four other etchings and prints including examples by George Soper, Ernest Peirce and Eva, all within frames.

William Lionel Wyllie - H.M.S. Victory, a pair of early 20th century etchings, both signed in pencil, each 26cm x 38.5cm, together with another maritime etching by R.F. King, 'Brixham Trawlers', all within ebonized frames.

After Thomas Rowlandson - 'Colman Street Ward, Prime & Load', 20th century offset lithograph after the 18th century etching, 27cm x 21.5cm, together with five further prints from the same series, all within matching gilt frames.

Louise C. Blair - Seated Female Nude, 20th century linoprint, signed in pencil recto, labels verso, 75cm x 50cm, within an ebonized wood frame.

Arthur Delaney - 'Wellington Hotel', 20th century colour print, signed and editioned 227/500 in pencil, published by Grove Galleries Ltd, 35cm x 49.5cm, together with two further signed limited edition prints by the same hand, all within frames.

John Gallo - A Boy on a Beach, 20th century colour print, signed in pencil, 38.5cm x 28cm, within a stained wood frame. Provenance: Vice-Admiral Sir Frederick Donald Gosling (displayed in his yacht 'Leander G.').

After J. Parsons - 'West Indies Antigua, English Harbour', 20th century photolithograph, 64cm x 48cm, within a gilt frame, together with another map of Antigua interest.